Details
Theorising Media and Practice
Anthropology of Media, Band 4 1. Aufl.
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37,99 € |
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| Verlag: | Berghahn Books |
| Format: | |
| Veröffentl.: | 01.11.2010 |
| ISBN/EAN: | 9781845458546 |
| Sprache: | englisch |
| Anzahl Seiten: | 352 |
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Beschreibungen
<p> Although practice theory has been a mainstay of social theory for nearly three decades, so far it has had very limited impact on media studies. This book draws on the work of practice theorists such as Wittgenstein, Foucault, Bourdieu, Barth and Schatzki and rethinks the study of media from the perspective of practice theory. Drawing on ethnographic case studies from places such as Zambia, India, Hong Kong, the United States, Britain, Norway and Denmark, the contributors address a number of important themes: media as practice; the interlinkage between media, culture and practice; the contextual study of media practices; and new practices of digital production. Collectively, these chapters make a strong case for the importance of theorising the relationship between media and practice and thereby adding practice theory as a new strand to the study of anthropology of media.</p>
<p> List of Figures<br> Preface</p>
<p> <strong>Introduction: </strong>Theorising Media and Practice<br> <em>John Postill</em></p>
<p> <strong>PART I: MEDIA AS PRACTICE</strong></p>
<p> <strong>Chapter 1.</strong> Theorising Media as Practice<br> <em>Nick Couldry</em></p>
<p> <strong>Chapter 2.</strong> What Do We Mean by ‘Media Practices’?<br> <em>Mark Hobart </em></p>
<p> <strong>Chapter 3. </strong>Media as Practice: A Brief Exchange<br> <em>Nick Couldry</em> and <em>Mark Hobart</em></p>
<p> <strong>PART II: MEDIA, CULTURE AND PRACTICE</strong></p>
<p> <strong>Chapter 4.</strong> From Fan Practice to Mediated Moments: The Value of Practice Theory in the Understanding of Media Audiences<br> <em>S. Elizabeth Bird</em></p>
<p> <strong>Chapter 5. </strong>Thick Context, Deep Epistemology: A Meditation on Wide-Angle Lenses on Media, Knowledge Production and the Concept of Culture<br> <em>Debra Spitulnik</em></p>
<p> <strong>Chapter 6.</strong> ‘But It Is My Habit to Read the Times’: Metaculture and Practice in the Reading of Indian Newspapers<br> Mark A. Peterson</p>
<p> <strong>Chapter 7.</strong> Embedded/Embedding Media Practices and Cultural Production<br> <em>Ursula Rao</em></p>
<p> <strong>PART III: MEDIA PRACTICES IN CONTEXT</strong></p>
<p> <strong>Chapter 8.</strong> Communication, Cognition and Usage: Epistemological Considerations of Media Practices and Processes<br> <em>Guido Ipsen</em></p>
<p> <strong>Chapter 9. </strong>Language-games, In/dividuals and Media Uses: What a Practice Perspective Should Imply for Media Studies<br> <em>Jo Helle-Valle</em></p>
<p> <strong>Chapter 10.</strong> A Barthian Approach to Practice and Media: Internet Engagements among Teleworkers in Rural Denmark<br> <em>Jens Kjaerulff</em></p>
<p> <strong>Chapter 11.</strong> Can Practice Theory Inspire Studies of ICTs in Everyday Life?<br> <em>Toke H. Christensen</em> and <em>Inge Røpke</em></p>
<p> <strong>PART IV: NEW MEDIA PRODUCTION PRACTICES</strong></p>
<p> <strong>Chapter 12.</strong> Playful Practices: Theorising ‘New Media’ Cultural Production<br> <em>Elisenda Ardèvol</em>, <em>Antoni Roig</em>, <em>Gemma San Cornelio</em>, <em>Ruth Pagès</em> and <em>Pau Alsina</em></p>
<p> <strong>Chapter 13. </strong>Theorising the Practices of Free Software: The Movement<br> <em>Christopher Kelty</em> 1<br> <strong>Chapter 14.</strong> Cinematography and Camera Crew: Practice, Process and Procedure<br> <em>Cathy Greenhalgh</em></p>
<p> Notes on Contributors<br> Index<br> List of Figures</p>
<p> <strong>Introduction: </strong>Theorising Media and Practice<br> <em>John Postill</em></p>
<p> <strong>PART I: MEDIA AS PRACTICE</strong></p>
<p> <strong>Chapter 1.</strong> Theorising Media as Practice<br> <em>Nick Couldry</em></p>
<p> <strong>Chapter 2.</strong> What Do We Mean by ‘Media Practices’?<br> <em>Mark Hobart </em></p>
<p> <strong>Chapter 3. </strong>Media as Practice: A Brief Exchange<br> <em>Nick Couldry</em> and <em>Mark Hobart</em></p>
<p> <strong>PART II: MEDIA, CULTURE AND PRACTICE</strong></p>
<p> <strong>Chapter 4.</strong> From Fan Practice to Mediated Moments: The Value of Practice Theory in the Understanding of Media Audiences<br> <em>S. Elizabeth Bird</em></p>
<p> <strong>Chapter 5. </strong>Thick Context, Deep Epistemology: A Meditation on Wide-Angle Lenses on Media, Knowledge Production and the Concept of Culture<br> <em>Debra Spitulnik</em></p>
<p> <strong>Chapter 6.</strong> ‘But It Is My Habit to Read the Times’: Metaculture and Practice in the Reading of Indian Newspapers<br> Mark A. Peterson</p>
<p> <strong>Chapter 7.</strong> Embedded/Embedding Media Practices and Cultural Production<br> <em>Ursula Rao</em></p>
<p> <strong>PART III: MEDIA PRACTICES IN CONTEXT</strong></p>
<p> <strong>Chapter 8.</strong> Communication, Cognition and Usage: Epistemological Considerations of Media Practices and Processes<br> <em>Guido Ipsen</em></p>
<p> <strong>Chapter 9. </strong>Language-games, In/dividuals and Media Uses: What a Practice Perspective Should Imply for Media Studies<br> <em>Jo Helle-Valle</em></p>
<p> <strong>Chapter 10.</strong> A Barthian Approach to Practice and Media: Internet Engagements among Teleworkers in Rural Denmark<br> <em>Jens Kjaerulff</em></p>
<p> <strong>Chapter 11.</strong> Can Practice Theory Inspire Studies of ICTs in Everyday Life?<br> <em>Toke H. Christensen</em> and <em>Inge Røpke</em></p>
<p> <strong>PART IV: NEW MEDIA PRODUCTION PRACTICES</strong></p>
<p> <strong>Chapter 12.</strong> Playful Practices: Theorising ‘New Media’ Cultural Production<br> <em>Elisenda Ardèvol</em>, <em>Antoni Roig</em>, <em>Gemma San Cornelio</em>, <em>Ruth Pagès</em> and <em>Pau Alsina</em></p>
<p> <strong>Chapter 13. </strong>Theorising the Practices of Free Software: The Movement<br> <em>Christopher Kelty</em> 1<br> <strong>Chapter 14.</strong> Cinematography and Camera Crew: Practice, Process and Procedure<br> <em>Cathy Greenhalgh</em></p>
<p> Notes on Contributors<br> Index<br> List of Figures</p>
<p> <b>John Postill</b> received his Ph.D. in anthropology from University College London. He is Senior Lecturer in Media at Sheffield Hallam University and the author of <em>Media and Nation Building </em>(Berghahn, 2006) and <em>Localizing the Internet </em>(Berghahn, forthcoming). He has published widely on the anthropology of media and is the founder of the EASA Media Anthropology Network.</p>
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