THE COMPLETE WORKS OF DAVID HUME:

My design in the present work is sufficiently explained in the Introduction. The reader must only observe, that all the subjects I have there planned out to myself, are not treated of in these two volumes. The subjects of the Understanding and Passions make a compleat chain of reasoning by themselves; and I was willing to take advantage of this natural division, in order to try the taste of the public. If I have the good fortune to meet with success, I shall proceed to the examination of Morals, Politics, and Criticism; which will compleat this Treatise of Human Nature. The approbation of the public I consider as the greatest reward of my labours; but am determined to regard its judgment, whatever it be, as my best instruction.

Nothing is more usual and more natural for those, who pretend to discover anything new to the world in philosophy and the sciences, than to insinuate the praises of their own systems, by decrying all those, which have been advanced before them. And indeed were they content with lamenting that ignorance, which we still lie under in the most important questions, that can come before the tribunal of human reason, there are few, who have an acquaintance with the sciences, that would not readily agree with them. It is easy for one of judgment and learning, to perceive the weak foundation even of those systems, which have obtained the greatest credit, and have carried their pretensions highest to accurate and profound reasoning. Principles taken upon trust, consequences lamely deduced from them, want of coherence in the parts, and of evidence in the whole, these are every where to be met with in the systems of the most eminent philosophers, and seem to have drawn disgrace upon philosophy itself.

Nor is there required such profound knowledge to discover the present imperfect condition of the sciences, but even the rabble without doors may, judge from the noise and clamour, which they hear, that all goes not well within. There is nothing which is not the subject of debate, and in which men of learning are not of contrary opinions. The most trivial question escapes not our controversy, and in the most momentous we are not able to give any certain decision. Disputes are multiplied, as if every thing was uncertain; and these disputes are managed with the greatest warmth, as if every thing was certain. Amidst all this bustle it is not reason, which carries the prize, but eloquence; and no man needs ever despair of gaining proselytes to the most extravagant hypothesis, who has art enough to represent it in any favourable colours. The victory is not gained by the men at arms, who manage the pike and the sword; but by the trumpeters, drummers, and musicians of the army.

From hence in my opinion arises that common prejudice against metaphysical reasonings of all kinds, even amongst those, who profess themselves scholars, and have a just value for every other part of literature. By metaphysical reasonings, they do not understand those on any particular branch of science, but every kind of argument, which is any way abstruse, and requires some attention to be comprehended. We have so often lost our labour in such researches, that we commonly reject them without hesitation, and resolve, if we must for ever be a prey to errors and delusions, that they shall at least be natural and entertaining. And indeed nothing but the most determined scepticism, along with a great degree of indolence, can justify this aversion to metaphysics. For if truth be at all within the reach of human capacity, it is certain it must lie very deep and abstruse: and to hope we shall arrive at it without pains, while the greatest geniuses have failed with the utmost pains, must certainly be esteemed sufficiently vain and presumptuous. I pretend to no such advantage in the philosophy I am going to unfold, and would esteem it a strong presumption against it, were it so very easy and obvious.

It is evident, that all the sciences have a relation, greater or less, to human nature: and that however wide any of them may seem to run from it, they still return back by one passage or another. Even. Mathematics, Natural Philosophy, and Natural Religion, are in some measure dependent on the science of MAN; since the lie under the cognizance of men, and are judged of by their powers and faculties. It is impossible to tell what changes and improvements we might make in these sciences were we thoroughly acquainted with the extent and force of human understanding, and could explain the nature of the ideas we employ, and of the operations we perform in our reasonings. And these improvements are the more to be hoped for in natural religion, as it is not content with instructing us in the nature of superior powers, but carries its views farther, to their disposition towards us, and our duties towards them; and consequently we ourselves are not only the beings, that reason, but also one of the objects, concerning which we reason.

If therefore the sciences of Mathematics, Natural Philosophy, and Natural Religion, have such a dependence on the knowledge of man, what may be expected in the other sciences, whose connexion with human nature is more close and intimate? The sole end of logic is to explain the principles and operations of our reasoning faculty, and the nature of our ideas: morals and criticism regard our tastes and sentiments: and politics consider men as united in society, and dependent on each other. In these four sciences of Logic, Morals, Criticism, and Politics, is comprehended almost everything, which it can any way import us to be acquainted with, or which can tend either to the improvement or ornament of the human mind.

Here then is the only expedient, from which we can hope for success in our philosophical researches, to leave the tedious lingering method, which we have hitherto followed, and instead of taking now and then a castle or village on the frontier, to march up directly to the capital or center of these sciences, to human nature itself; which being once masters of, we may every where else hope for an easy victory. From this station we may extend our conquests over all those sciences, which more intimately concern human life, and may afterwards proceed at leisure to discover more fully those, which are the objects of pore curiosity. There is no question of importance, whose decision is not comprised in the science of man; and there is none, which can be decided with any certainty, before we become acquainted with that science. In pretending, therefore, to explain the principles of human nature, we in effect propose a compleat system of the sciences, built on a foundation almost entirely new, and the only one upon which they can stand with any security.

And as the science of man is the-only solid foundation for the other sciences, so the only solid foundation we can give to this science itself must be laid on experience and observation. It is no astonishing reflection to consider, that the application of experimental philosophy to moral subjects should come after that to natural at the distance of above a whole century; since we find in fact, that there was about the same interval betwixt the origins of these sciences; and that reckoning from THALES to SOCRATES, the space of time is nearly equal to that betwixt, my Lord Bacon and some late philosophers [Mr. Locke, my Lord Shaftesbury, Dr. Mandeville, Mr. Hutchinson, Dr. Butler, etc.] in England, who have begun to put the science of man on a new footing, and have engaged the attention, and excited the curiosity of the public. So true it is, that however other nations may rival us in poetry, and excel us in some other agreeable arts, the improvements in reason and philosophy can only be owing to a land of toleration and of liberty.

Nor ought we to think, that this latter improvement in the science of man will do less honour to our native country than the former in natural philosophy, but ought rather to esteem it a greater glory, upon account of the greater importance of that science, as well as the necessity it lay under of such a reformation. For to me it seems evident, that the essence of the mind being equally unknown to us with that of external bodies, it must be equally impossible to form any notion of its powers and qualities otherwise than from careful and exact experiments, and the observation of those particular effects, which result from its different circumstances and situations. And though we must endeavour to render all our principles as universal as possible, by tracing up our experiments to the utmost, and explaining all effects from the simplest and fewest causes, it is still certain we cannot go beyond experience; and any hypothesis, that pretends to discover the ultimate original qualities of human nature, ought at first to be rejected as presumptuous and chimerical.

I do not think a philosopher, who would apply himself so earnestly to the explaining the ultimate principles of the soul, would show himself a great master in that very science of human nature, which he pretends to explain, or very knowing in what is naturally satisfactory to the mind of man. For nothing is more certain, than that despair has almost the same effect upon us with enjoyment, and that we are no sooner acquainted with the impossibility of satisfying any desire, than the desire itself vanishes. When we see, that we have arrived at the utmost extent of human reason, we sit down contented, though we be perfectly satisfied in the main of our ignorance, and perceive that we can give no reason for our most general and most refined principles, beside our experience of their reality; which is the reason of the mere vulgar, and what it required no study at first to have discovered for the most particular and most extraordinary phaenomenon. And as this impossibility of making any farther progress is enough to satisfy the reader, so the writer may derive a more delicate satisfaction from the free confession of his ignorance, and from his prudence in avoiding that error, into which so many have fallen, of imposing their conjectures and hypotheses on the world for the most certain principles. When this mutual contentment and satisfaction can be obtained betwixt the master and scholar, I know not what more we can require of our philosophy.

But if this impossibility of explaining ultimate principles should be esteemed a defect in the science of man, I will venture to affirm, that it is a defect common to it with all the sciences, and all the arts, in which we can employ ourselves, whether they be such as are cultivated in the schools of the philosophers, or practised in the shops of the meanest artizans. None of them can go beyond experience, or establish any principles which are not founded on that authority. Moral philosophy has, indeed, this peculiar disadvantage, which is not found in natural, that in collecting its experiments, it cannot make them purposely, with premeditation, and after such a manner as to satisfy itself concerning every particular difficulty which may be. When I am at a loss to know the effects of one body upon another in any situation, I need only put them in that situation, and observe what results from it. But should I endeavour to clear up after the same manner any doubt in moral philosophy, by placing myself in the same case with that which I consider, it is evident this reflection and premeditation would so disturb the operation of my natural principles, as must render it impossible to form any just conclusion from the phenomenon. We must therefore glean up our experiments in this science from a cautious observation of human life, and take them as they appear in the common course of the world, by men’s behaviour in company, in affairs, and in their pleasures. Where experiments of this kind are judiciously collected and compared, we may hope to establish on them a science which will not be inferior in certainty, and will be much superior in utility to any other of human comprehension.

All the perceptions of the human mind resolve themselves into two distinct kinds, which I shall call IMPRESSIONS and IDEAS. The difference betwixt these consists in the degrees of force and liveliness, with which they strike upon the mind, and make their way into our thought or consciousness. Those perceptions, which enter with most force and violence, we may name impressions: and under this name I comprehend all our sensations, passions and emotions, as they make their first appearance in the soul. By ideas I mean the faint images of these in thinking and reasoning; such as, for instance, are all the perceptions excited by the present discourse, excepting only those which arise from the sight and touch, and excepting the immediate pleasure or uneasiness it may occasion. I believe it will not be very necessary to employ many words in explaining this distinction. Every one of himself will readily perceive the difference betwixt feeling and thinking. The common degrees of these are easily distinguished; though it is not impossible but in particular instances they may very nearly approach to each other. Thus in sleep, in a fever, in madness, or in any very violent emotions of soul, our ideas may approach to our impressions, As on the other hand it sometimes happens, that our impressions are so faint and low, that we cannot distinguish them from our ideas. But notwithstanding this near resemblance in a few instances, they are in general so very different, that no-one can make a scruple to rank them under distinct heads, and assign to each a peculiar name to mark the difference[1]

There is another division of our perceptions, which it will be convenient to observe, and which extends itself both to our impressions and ideas. This division is into SIMPLE and COMPLEX. Simple perceptions or impressions and ideas are such as admit of no distinction nor separation. The complex are the contrary to these, and may be distinguished into parts. Though a particular colour, taste, and smell, are qualities all united together in this apple, it is easy to perceive they are not the same, but are at least distinguishable from each other.

Having by these divisions given an order and arrangement to our objects, we may now apply ourselves to consider with the more accuracy their qualities and relations. The first circumstance, that strikes my eye, is the great resemblance betwixt our impressions and ideas in every other particular, except their degree of force and vivacity. The one seem to be in a manner the reflexion of the other; so that all the perceptions of the mind are double, and appear both as impressions and ideas. When I shut my eyes and think of my chamber, the ideas I form are exact representations of the impressions I felt; nor is there any circumstance of the one, which is not to be found in the other. In running over my other perceptions, I find still the same resemblance and representation. Ideas and impressions appear always to correspond to each other. This circumstance seems to me remarkable, and engages my attention for a moment.

Upon a more accurate survey I find I have been carried away too far by the first appearance, and that I must make use of the distinction of perceptions into simple and complex, to limit this general decision, that all our ideas and impressions are resembling. I observe, that many of our complex ideas never had impressions, that corresponded to them, and that many of our complex impressions never are exactly copied in ideas. I can imagine to myself such a city as the New Jerusalem, whose pavement is gold and walls are rubies, though I never saw any such. I have seen Paris; but shall I affirm I can form such an idea of that city, as will perfectly represent all its streets and houses in their real and just proportions?

I perceive, therefore, that though there is in general a great, resemblance betwixt our complex impressions and ideas, yet the rule is not universally true, that they are exact copies of each other. We may next consider how the case stands with our simple, perceptions. After the most accurate examination, of which I am capable, I venture to affirm, that the rule here holds without any exception, and that every simple idea has a simple impression, which resembles it, and every simple impression a correspondent idea. That idea of red, which we form in the dark, and that impression which strikes our eyes in sun-shine, differ only in degree, not in nature. That the case is the same with all our simple impressions and ideas, it is impossible to prove by a particular enumeration of them. Every one may satisfy himself in this point by running over as many as he pleases. But if any one should deny this universal resemblance, I know no way of convincing him, but by desiring him to shew a simple impression, that has not a correspondent idea, or a simple idea, that has not a correspondent impression. If he does not answer this challenge, as it is certain he cannot, we may from his silence and our own observation establish our conclusion.

Thus we find, that all simple ideas and impressions resemble each other; and as the complex are formed from them, we may affirm in general, that these two species of perception are exactly correspondent. Having discovered this relation, which requires no farther examination, I am curious to find some other of their qualities. Let us consider how they stand with regard to their existence, and which of the impressions and ideas are causes, and which effects.

The full examination of this question is the subject of the present treatise; and therefore we shall here content ourselves with establishing one general proposition, THAT ALL OUR SIMPLE IDEAS IN THEIR FIRST APPEARANCE ARE DERIVED FROM SIMPLE IMPRESSIONS, WHICH ARE CORRESPONDENT TO THEM, AND WHICH THEY EXACTLY REPRESENT.

In seeking for phenomena to prove this proposition, I find only those of two kinds; but in each kind the phenomena are obvious, numerous, and conclusive. I first make myself certain, by a new, review, of what I have already asserted, that every simple impression is attended with a correspondent idea, and every simple idea with a correspondent impression. From this constant conjunction of resembling perceptions I immediately conclude, that there is a great connexion betwixt our correspondent impressions and ideas, and that the existence of the one has a considerable influence upon that of the other. Such a constant conjunction, in such an infinite number of instances, can never arise from chance; but clearly proves a dependence of the impressions on the ideas, or of the ideas on the impressions. That I may know on which side this dependence lies, I consider the order of their first appearance; and find by constant experience, that the simple impressions always take the precedence of their correspondent ideas, but never appear in the contrary order. To give a child an idea of scarlet or orange, of sweet or bitter, I present the objects, or in other words, convey to him these impressions; but proceed not so absurdly, as to endeavour to produce the impressions by exciting the ideas. Our ideas upon their appearance produce not their correspondent impressions, nor do we perceive any colour, or feel any sensation merely upon thinking of them. On the other hand we find, that any impression either of the mind or body is constantly followed by an idea, which resembles it, and is only different in the degrees of force and liveliness, The constant conjunction of our resembling perceptions, is a convincing proof, that the one are the causes of the other; and this priority of the impressions is an equal proof, that our impressions are the causes of our ideas, not our ideas of our impressions.

To confirm this I consider Another plain and convincing phaenomenon; which is, that, where-ever by any accident the faculties, which give rise to any impressions, are obstructed in their operations, as when one is born blind or deaf; not only the impressions are lost, but also their correspondent ideas; so that there never appear in the mind the least traces of either of them. Nor is this only true, where the organs of sensation are entirely destroyed, but likewise where they have never been put in action to produce a particular impression. We cannot form to ourselves a just idea of the taste of a pine apple, without having actually tasted it.

There is however one contradictory phaenomenon, which may prove, that it is not absolutely impossible for ideas to go before their correspondent impressions. I believe it will readily be allowed that the several distinct ideas of colours, which enter by the eyes, or those of sounds, which are conveyed by the hearing, are really different from each other, though at the same time resembling. Now if this be true of different colours, it must be no less so of the different shades of the same colour, that each of them produces a distinct idea, independent of the rest. For if this should be denied, it is possible, by the continual gradation of shades, to run a colour insensibly into what is most remote from it; and if you will not allow any of the means to be different, you cannot without absurdity deny the extremes to be the same. Suppose therefore a person to have enjoyed his sight for thirty years, and to have become perfectly well acquainted with colours of all kinds, excepting one particular shade of blue, for instance, which it never has been his fortune to meet with. Let all the different shades of that colour, except that single one, be placed before him, descending gradually from the deepest to the lightest; it is plain, that he will perceive a blank, where that shade is wanting, said will be sensible, that there is a greater distance in that place betwixt the contiguous colours, than in any other. Now I ask, whether it is possible for him, from his own imagination, to supply this deficiency, and raise up to himself the idea of that particular shade, though it had never been conveyed to him by his senses? I believe there are few but will be of opinion that he can; and this may serve as a proof, that the simple ideas are not always derived from the correspondent impressions; though the instance is so particular and singular, that it is scarce worth our observing, and does not merit that for it alone we should alter our general maxim.

But besides this exception, it may not be amiss to remark on this head, that the principle of the priority of impressions to ideas must be understood with another limitation, viz., that as our ideas are images of our impressions, so we can form secondary ideas, which are images of the primary; as appears from this very reasoning concerning them. This is not, properly speaking, an exception to the rule so much as an explanation of it. Ideas produce the images of themselves in new ideas; but as the first ideas are supposed to be derived from impressions, it still remains true, that all our simple ideas proceed either mediately or immediately, from their correspondent impressions.

This then is the first principle I establish in the science of human nature; nor ought we to despise it because of the simplicity of its appearance. For it is remarkable, that the present question concerning the precedency of our impressions or ideas, is the same with what has made so much noise in other terms, when it has been disputed whether there be any INNATE IDEAS, or whether all ideas be derived from sensation and reflexion. We may observe, that in order to prove the ideas of extension and colour not to be innate, philosophers do nothing but shew that they are conveyed by our senses. To prove the ideas of passion and desire not to be innate, they observe that we have a preceding experience of these emotions in ourselves. Now if we carefully examine these arguments, we shall find that they prove nothing but that ideas are preceded by other more lively perceptions, from which the are derived, and which they represent. I hope this clear stating of the question will remove all disputes concerning it, and win render this principle of more use in our reasonings, than it seems hitherto to have been.

Since it appears, that our simple impressions are prior to their correspondent ideas, and that the exceptions are very rare, method seems to require we should examine our impressions, before we consider our ideas. Impressions way be divided into two kinds, those Of SENSATION and those of REFLEXION. The first kind arises in the soul originally, from unknown causes. The second is derived in a great measure from our ideas, and that in the following order. An impression first strikes upon the senses, and makes us perceive heat or cold, thirst or hunger, pleasure or pain of some kind or other. Of this impression there is a copy taken by the mind, which remains after the impression ceases; and this we call an idea. This idea of pleasure or pain, when it returns upon the soul, produces the new impressions of desire and aversion, hope and fear, which may properly be called impressions of reflexion, because derived from it. These again are copied by the memory and imagination, and become ideas; which perhaps in their turn give rise to other impressions and ideas. So that the impressions of reflexion are only antecedent to their correspondent ideas; but posterior to those of sensation, and derived from them. The examination of our sensations belongs more to anatomists and natural philosophers than to moral; and therefore shall not at present be entered upon. And as the impressions of reflexion, viz. passions, desires, and emotions, which principally deserve our attention, arise mostly from ideas, it will be necessary to reverse that method, which at first sight seems most natural; and in order to explain the nature and principles of the human mind, give a particular account of ideas, before we proceed to impressions. For this reason I have here chosen to begin with ideas.

We find by experience, that when any impression has been present with the mind, it again makes its appearance there as an idea; and this it may do after two different ways: either when in its new appearance it retains a considerable degree of its first vivacity, and is somewhat intermediate betwixt an impression and an idea: or when it entirely loses that vivacity, and is a perfect idea. The faculty, by which we repeat our impressions in the first manner, is called the MEMORY, and the other the IMAGINATION. It is evident at first sight, that the ideas of the memory are much more lively and strong than those of the imagination, and that the former faculty paints its objects in more distinct colours, than any which are employed by the latter. When we remember any past event, the idea of it flows in upon the mind in a forcible manner; whereas in the imagination the perception is faint and languid, and cannot without difficulty be preserved by the mind steddy and uniform for any considerable time. Here then is a sensible difference betwixt one species of ideas and another. But of this more fully hereafter.[Part II, Sect. 5.]

There is another difference betwixt these two kinds of ideas, which is no less evident, namely that though neither the ideas, of the memory nor imagination, neither the lively nor faint ideas can make their appearance in the mind, unless their correspondent impressions have gone before to prepare the way for them, yet the imagination is not restrained to the same order and form with the original impressions; while the memory is in a manner tied down in that respect, without any power of variation.

It is evident, that the memory preserves the original form, in which its objects were presented, and that where-ever we depart from it in recollecting any thing, it proceeds from some defect or imperfection in that faculty. An historian may, perhaps, for the more convenient Carrying on of his narration, relate an event before another, to which it was in fact posterior; but then he takes notice of this disorder, if he be exact; and by that means replaces the idea in its due position. It is the same case in our recollection of those places and persons, with which we were formerly acquainted. The chief exercise of the memory is not to preserve the simple ideas, but their order and position. In short, this principle is supported by such a number of common and vulgar phaenomena, that we may spare ourselves the trouble of insisting on it any farther.

The same evidence follows us in our second principle, OF THE LIBERTY OF THE IMAGINATION TO TRANSPOSE AND CHANGE ITS IDEAS. The fables we meet with in poems and romances put this entirely out of the question. Nature there is totally confounded, and nothing mentioned but winged horses, fiery dragons, and monstrous giants. Nor will this liberty of the fancy appear strange, when we consider, that all our ideas are copyed from our impressions, and that there are not any two impressions which are perfectly inseparable. Not to mention, that this is an evident consequence of the division of ideas into simple and complex. Where-ever the imagination perceives a difference among ideas, it can easily produce a separation.

As all simple ideas may be separated by the imagination, and may be united again in what form it pleases, nothing would be more unaccountable than the operations of that faculty, were it not guided by some universal principles, which render it, in some measure, uniform with itself in all times and places. Were ideas entirely loose and unconnected, chance alone would join them; and it is impossible the same simple ideas should fall regularly into complex ones (as they Commonly do) without some bond of union among them, some associating quality, by which one idea naturally introduces another. This uniting principle among ideas is not to be considered as an inseparable connexion; for that has been already excluded from the imagination: Nor yet are we to conclude, that without it the mind cannot join two ideas; for nothing is more free than that faculty: but we are only to regard it as a gentle force, which commonly prevails, and is the cause why, among other things, languages so nearly correspond to each other; nature in a manner pointing out to every one those simple ideas, which are most proper to be united in a complex one. The qualities, from which this association arises, and by which the mind is after this manner conveyed from one idea to another, are three, viz. RESEMBLANCE, CONTIGUITY in time or place, and CAUSE and EFFECT.

I believe it will not be very necessary to prove, that these qualities produce an association among ideas, and upon the appearance of one idea naturally introduce another. It is plain, that in the course of our thinking, and in the constant revolution of our ideas, our imagination runs easily from one idea to any other that resembles it, and that this quality alone is to the fancy a sufficient bond and association. It is likewise evident that as the senses, in changing their objects, are necessitated to change them regularly, and take them as they lie CONTIGUOUS to each other, the imagination must by long custom acquire the same method of thinking, and run along the parts of space and time in conceiving its objects. As to the connexion, that is made by the relation of cause and effect, we shall have occasion afterwards to examine it to the bottom, and therefore shall not at present insist upon it. It is sufficient to observe, that there is no relation, which produces a stronger connexion in the fancy, and makes one idea more readily recall another, than the relation of cause and effect betwixt their objects.

That we may understand the full extent of these relations, we must consider, that two objects are connected together in the imagination, not only when the one is immediately resembling, contiguous to, or the cause of the other, but also when there is interposed betwixt them a third object, which bears to both of them any of these relations. This may be carried on to a great length; though at the same time we may observe, that each remove considerably weakens the relation. Cousins in the fourth degree are connected by causation, if I may be allowed to use that term; but not so closely as brothers, much less as child and parent. In general we may observe, that all the relations of blood depend upon cause and effect, and are esteemed near or remote, according to the number of connecting causes interposed betwixt the persons.

Of the three relations above-mentioned this of causation is the most extensive. Two objects may be considered as placed in this relation, as well when one is the cause of any of the actions or motions of the other, as when the former is the cause of the existence of the latter. For as that action or motion is nothing but the object itself, considered in a certain light, and as the object continues the same in all its different situations, it is easy to imagine how such an influence of objects upon one another may connect them in the imagination.

We may carry this farther, and remark, not only that two objects are connected by the relation of cause and effect, when the one produces a motion or any action in the other, but also when it has a power of producing it. And this we may observe to be the source of all the relation, of interest and duty, by which men influence each other in society, and are placed in the ties of government and subordination. A master is such-a-one as by his situation, arising either from force or agreement, has a power of directing in certain particulars the actions of another, whom we call servant. A judge is one, who in all disputed cases can fix by his opinion the possession or property of any thing betwixt any members of the society. When a person is possessed of any power, there is no more required to convert it into action, but the exertion of the will; and that in every case is considered as possible, and in many as probable; especially in the case of authority, where the obedience of the subject is a pleasure and advantage to the superior.

These are therefore the principles of union or cohesion among our simple ideas, and in the imagination supply the place of that inseparable connexion, by which they are united in our memory. Here is a kind of ATTRACTION, which in the mental world will be found to have as extraordinary effects as in the natural, and to shew itself in as many and as various forms. Its effects are every where conspicuous; but as to its causes, they are mostly unknown, and must be resolved into original qualities of human nature, which I pretend not to explain. Nothing is more requisite for a true philosopher, than to restrain the intemperate desire of searching into causes, and having established any doctrine upon a sufficient number of experiments, rest contented with that, when he sees a farther examination would lead him into obscure and uncertain speculations. In that case his enquiry would be much better employed in examining the effects than the causes of his principle.

Amongst the effects of this union or association of ideas, there are none more remarkable, than those complex ideas, which are the common subjects of our thoughts and reasoning, and generally arise from some principle of union among our simple ideas. These complex ideas may be divided into Relations, Modes, and Substances. We shall briefly examine each of these in order, and shall subjoin some considerations concerning our general and particular ideas, before we leave the present subject, which may be considered as the elements of this philosophy.

The word RELATION is commonly used in two senses considerably different from each other. Either for that quality, by which two ideas are connected together in the imagination, and the one naturally introduces the other, after the manner above-explained: or for that particular circumstance, in which, even upon the arbitrary union of two ideas in the fancy, we may think proper to compare them. In common language the former is always the sense, in which we use the word, relation; and it is only in philosophy, that we extend it to mean any particular subject of comparison, without a connecting principle. Thus distance will be allowed by philosophers to be a true relation, because we acquire an idea of it by the comparing of objects: But in a common way we say, THAT NOTHING CAN BE MORE DISTANT THAN SUCH OR SUCH THINGS FROM EACH OTHER, NOTHING CAN HAVE LESS RELATION: as if distance and relation were incompatible.

It may perhaps be esteemed an endless task to enumerate all those qualities, which make objects admit of comparison, and by which the ideas of philosophical relation are produced. But if we diligently consider them, we shall find that without difficulty they may be comprised under seven general heads, which may be considered as the sources of all philosophical relation.

(1) The first is RESEMBLANCE: And this is a relation, without which no philosophical relation can exist; since no objects will admit of comparison, but what have some degree of resemblance. But though resemblance be necessary to all philosophical relation, it does not follow, that it always produces a connexion or association of ideas. When a quality becomes very general, and is common to a great many individuals, it leads not the mind directly to any one of them; but by presenting at once too great a choice, does thereby prevent the imagination from fixing on any single object.

(2) IDENTITY may be esteemed a second species of relation. This relation I here consider as applied in its strictest sense to constant and unchangeable objects; without examining the nature and foundation of personal identity, which shall find its place afterwards. Of all relations the most universal is that of identity, being common to every being whose existence has any duration.

(3) After identity the most universal and comprehensive relations are those of SPACE and TIME, which are the sources of an infinite number of comparisons, such as distant, contiguous, above, below, before, after, etc.

(4) All those objects, which admit of QUANTITY, or NUMBER, may be compared in that particular; which is another very fertile source of relation.

(5) When any two objects possess the same QUALITY in common, the DEGREES, in which they possess it, form a fifth species of relation. Thus of two objects, which are both heavy, the one may be either of greater, or less weight than the other. Two colours, that are of the same kind, may yet be of different shades, and in that respect admit of comparison.

(6) The relation of CONTRARIETY may at first sight be regarded as an exception to the rule, THAT NO RELATION OF ANY KIND CAN SUBSIST WITHOUT SOME DEGREE OF RESEMBLANCE. But let us consider, that no two ideas are in themselves contrary, except those of existence and non-existence, which are plainly resembling, as implying both of them an idea of the object; though the latter excludes the object from all times and places, in which it is supposed not to exist.

(7) All other objects, such as fire and water, heat and cold, are only found to be contrary from experience, and from the contrariety of their causes or effects; which relation of cause and effect is a seventh philosophical relation, as well as a natural one. The resemblance implied in this relation, shall be explained afterwards.

It might naturally be expected, that I should join DIFFERENCE to the other relations. But that I consider rather as a negation of relation, than as anything real or positive. Difference is of two kinds as opposed either to identity or resemblance. The first is called a difference of number; the other of KIND.

I would fain ask those philosophers, who found so much of their reasonings on the distinction of substance and accident, and imagine we have clear ideas of each, whether the idea of substance be derived from the impressions of sensation or of reflection? If it be conveyed to us by our senses, I ask, which of them; and after what manner? If it be perceived by the eyes, it must be a colour; if by the ears, a sound; if by the palate, a taste; and so of the other senses. But I believe none will assert, that substance is either a colour, or sound, or a taste. The idea, of substance must therefore be derived from an impression of reflection, if it really exist. But the impressions of reflection resolve themselves into our passions and emotions: none of which can possibly represent a substance. We have therefore no idea of substance, distinct from that of a collection of particular qualities, nor have we any other meaning when we either talk or reason concerning it.

The idea of a substance as well as that of a mode, is nothing but a collection of Simple ideas, that are united by the imagination, and have a particular name assigned them, by which we are able to recall, either to ourselves or others, that collection. But the difference betwixt these ideas consists in this, that the particular qualities, which form a substance, are commonly referred to an unknown something, in which they are supposed to inhere; or granting this fiction should not take place, are at least supposed to be closely and inseparably connected by the relations of contiguity and causation. The effect of this is, that whatever new simple quality we discover to have the same connexion with the rest, we immediately comprehend it among them, even though it did not enter into the first conception of the substance. Thus our idea of gold may at first be a yellow colour, weight, malleableness, fusibility; but upon the discovery of its dissolubility in aqua regia, we join that to the other qualities, and suppose it to belong to the substance as much as if its idea had from the beginning made a part of the compound one. The principal of union being regarded as the chief part of the complex idea, gives entrance to whatever quality afterwards occurs, and is equally comprehended by it, as are the others, which first presented themselves.

That this cannot take place in modes, is evident from considering their mature. The simple ideas of which modes are formed, either represent qualities, which are not united by contiguity and causation, but are dispersed in different subjects; or if they be all united together, the uniting principle is not regarded as the foundation of the complex idea. The idea of a dance is an instance of the first kind of modes; that of beauty of the second. The reason is obvious, why such complex ideas cannot receive any new idea, without changing the name, which distinguishes the mode.