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Copyright & Information

Inspector West Alone

 

First published in 1950

© John Creasey Literary Management Ltd.; House of Stratus 1950-2014

 

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

 

The right of John Creasey to be identified as the author of this work has been asserted.

 

This edition published in 2014 by House of Stratus, an imprint of

Stratus Books Ltd., Lisandra House, Fore Street, Looe,

Cornwall, PL13 1AD, UK.

 

Typeset by House of Stratus.

 

A catalogue record for this book is available from the British Library and the Library of Congress.

 

ISBN   EAN   Edition
0755135814   9780755135813   Print
0755139151   9780755139156   Kindle
0755137493   9780755137497   Epub

 

This is a fictional work and all characters are drawn from the author's imagination.

Any resemblance or similarities to persons either living or dead are entirely coincidental.

 

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www.houseofstratus.com

 

 

About the Author

Jophn Creasey

 

John Creasey – Master Storyteller - was born in Surrey, England in 1908 into a poor family in which there were nine children, John Creasey grew up to be a true master story teller and international sensation. His more than 600 crime, mystery and thriller titles have now sold 80 million copies in 25 languages. These include many popular series such as Gideon of Scotland Yard, The Toff, Dr Palfrey and The Baron.

Creasey wrote under many pseudonyms, explaining that booksellers had complained he totally dominated the 'C' section in stores. They included:

 

Gordon Ashe, M E Cooke, Norman Deane, Robert Caine Frazer, Patrick Gill, Michael Halliday, Charles Hogarth, Brian Hope, Colin Hughes, Kyle Hunt, Abel Mann, Peter Manton, J J Marric, Richard Martin, Rodney Mattheson, Anthony Morton and Jeremy York.

 

Never one to sit still, Creasey had a strong social conscience, and stood for Parliament several times, along with founding the One Party Alliance which promoted the idea of government by a coalition of the best minds from across the political spectrum.

He also founded the British Crime Writers' Association, which to this day celebrates outstanding crime writing. The Mystery Writers of America bestowed upon him the Edgar Award for best novel and then in 1969 the ultimate Grand Master Award. John Creasey's stories are as compelling today as ever.

 

Chapter I

LONELY HOUSE

 

Even now, it didn’t occur to Roger West that there had been anything faked about the message. He was just afraid in case Janet had run into trouble.

You could spend your life walking into trouble with your eyes wide open and feel hardly a tremor. When you began to wonder whether your wife was in danger, you had a sick feeling of dread; assuming that you were in love with your wife, of course.

Roger stood outside the back door.

It was locked, like the front door and like all the windows. It was a small, lonely house, and he hadn’t heard of the place until two hours ago. There was a rotting hurdle fence round the large garden, and the light was just good enough to show the distorted shapes of trees. Grass grew knee high on what had once been lawns. The gravel drive was covered with weeds.

There wasn’t a light anywhere.

A chilly wind blew on to his back, coming across the open moorland and hilly country of Surrey. Low clouds threatened rain.

Except for the wind, there was no sound.

The message had been clear enough, but he hadn’t taken it himself. Janet had telephoned Scotland Yard. Roger hadn’t been in his office, so Eddie Day had spoken to her. Eddie wasn’t a shining light, but a man who had been thirty years in the force and become a Chief Inspector; he didn’t get messages wrong.

“Bit of trouble for you, Handsome, Janet phoned. All right, all right, you needn’t get worried, there’s nothing the matter with the kids! Janet’s gone to see a cousin of hers, Phyllis – the one that lives in Surrey. She says can you go straight there tonight? Copse Cottage, Helsham – not far from Guildford. Difficult place to find, she says. I’ve written the directions down.”

The note was in Roger’s pocket.

He’d followed the directions with ease; this was Copse Cottage. The big white stone at the corner, near the signpost, had been unmistakable. There’d been one odd thing about the old, rotting signpost; the pointing finger and the words Copse Cottage had been freshly painted, but the name-board, on the narrow wooden gate, hadn’t been painted for years.

The house was as dark as the night.

He’d been startled on discovering that there was no light back or front; worried when there had been no response to his knocking.

Janet had a cousin named Phyllis, who lived somewhere in Surrey. Roger had never met her, and didn’t think Janet had heard from her more than twice in the past five years.

Be reasonable. Cousin Phyllis had probably been taken ill, Janet had hurried out here, taken things into her capable hands, decided to move Phyllis to a hospital, possibly even taken her to Chelsea. There was no reason to feel scared. He turned towards the front of the house. From here he could see the sidelights of his car, facing the main road and parked in the narrow, unmade lane. He would try once more at the front door, then go into the village – two miles away – and telephone home.

The lights of his car disappeared.

He stopped moving, and stared. Only one thing could blot those lights out – someone standing in front of them. They were still on; he could see a faint glow, and the vague silhouette of a—man? Or Janet?

No, it was a man. The lights appeared again. Yet he’d heard no footsteps, and any ordinary sound would have been clear. The vague figure was lost against the black outline of the car.

Then he heard a sound; of the car door, opening.

He shouted: “Here!” and broke into a run. The car door slammed and the engine hummed. He was ten yards from the open gate when the car began to move, and it was twenty yards along the road when he reached the gate.

“Here!”

The only answer was the snorting of the car.

Alarm sawed at Roger’s nerves. He ran, in desperate hope; the road was rough, the car couldn’t make much speed, and would have to slow down at the sharp corner. But the potholes and loose stones made running difficult. He turned his ankle, grabbed at a tree to save himself and lost precious seconds and still more precious yards. The red light glowed, then turned out of sight as the driver swung the wheels towards Helsham.

What was all this? How could it be explained rationally? There was a touch of fantasy about it, as well, let’s face it, as a touch of the sinister. Had Janet come here?

The sound of the engine faded into silence, and the wind was hushed, but his forehead felt icy cold. It was pitch dark now. He turned and stared towards the house, and could only just make out the outline against the lowering sky. Suddenly, gusty wind swept down upon him.

He could walk to the village and back to reason; or return and force his way into the house. He didn’t like to contemplate the possibilities of what he might find. He couldn’t give a name to his fears. The sensible thing was to go for assistance; he could get a car from the village and come here with the local policeman. It wasn’t easy to be sensible when fears for Janet crowded upon him.

Then a light went on in the house.

 

It wasn’t bright; just the dim yellow glow. It was on the first floor, above the front door; and it moved. Suddenly a shadow, large and shapeless, was thrown against a window. Someone was carrying the lamp from one room to another. It passed the window, and only a faint yellow glow remained; then it shone more brightly from another window, and became steady.

Janet?

She would have heard him call out, would have shouted after him by now.

Roger walked quickly towards the house, staring at the lighted window, but he could no longer see a shadow. As he turned into the open gate, another gust of wind swept down on him – and as the howling died, he heard the scream. Wild, shrill, eerie, it played on his taut nerves like a saw on an iron bar; and he knew that it was a woman’s scream.

 

He smashed a stone against the glass of the window, and the crash was like an explosion. A splinter of glass cut the back of his hand, but he hardly noticed it. He bent his elbow and broke off the jagged splinters which stuck out from the side, then groped for the window-catch. It sprang back sharply, and he pushed the window up.

It was pitch dark inside the room.

He used his torch for the first time. The beam shone upon oddments of furniture, the mirror of a huge sideboard, and a door. He climbed through, but heard no more screaming. Whoever had carried that lamp must have heard the window crash, but there was only silence. He reached the door, pulled it open and stepped into the passage. A faint glow of light came from upstairs, enough to show him the narrow stairs themselves, the gloomy hall, the glass in the picture-frames hanging on the walls. He put out his torch and stood quite still.

There was no sound, no movement.

Had he heard that scream?

His teeth were set so hard that his cheeks hurt. He went slowly towards the foot of the stairs. Now that he was more accustomed to the light he could pick out the banisters, the shiny handrail, the dark, blotchy wallpaper.

He must go upstairs; he wasn’t a victim of nerves.

He started up the stairs, keeping close to the wall to avoid creaking boards. The light still glowed, dimly yellow. He reached a small landing and stood quite still, recovering from the first attack of nerves, warning himself to be careful. There were three doors, one of them wide open, and the light came from this room. He stepped softly towards it, and peered inside. It was an empty bedroom; empty, that was, as far as he could see. A huge double bed, with big brass knobs on the posts, stood against one wall. Backing on to the window was a huge Victorian dressing-table with a big centre and narrow wing mirrors. The oil-lamp, without a shade, stood on this, and the light was brighter here because it was reflected from the mirrors.

He went to the foot of the bed and peered to the other side – and saw nothing.

Had that scream been a freakish trick of wind?

He knew it hadn’t; he also knew that it might have been uttered to bring him here. Whoever had lit that lamp must still be near . . .

Hold it!

While he had been rushing towards the window and breaking in there had been time for man or woman to run down the stairs and leave the house by the back door. He couldn’t take anything for granted. He went into the room, picked up the lamp, which gave off a grey smoke and an oily smell, and placed it on a chest on the landing so that it gave more general light. Then he approached the first of the two closed doors. He took out his handkerchief and wrapped it round the handle before turning it. The door opened without difficulty, on to another, smaller bedroom, as empty as the first.

And silence . . .

It was broken suddenly, eerily, by a sound he placed at once, but didn’t want to hear; by moaning.

The crying wasn’t loud, but sounded clearly because of the general quiet. Undoubtedly it came from behind that closed door. It wasn’t easy to tell the difference between a man moaning and a woman; but he thought this was a woman, and saw a picture of Janet in his mind’s eye.

Roger moved slowly to the door, repeated the trick with the handkerchief, and pushed – but the door was locked. The moaning was continual now, low, frightening, working on his nerves. It was a stout door, and there was no key in the lock. He put his shoulder against it and pushed, a practised trick which would open a flimsy door in a modern house, but it had no effect on this one. He drew back and flung himself at the unyielding wood; all he did was to hurt himself.

The moaning went on and on.

He turned and hurried down the stairs, using his torch. He found the kitchen at the first attempt, and opened the door cautiously; there was no one there. Another door led to a scullery; there was always a scullery and wash-house in an old cottage of this kind. The scullery was drab, and cobwebs hung across the window. He opened a cupboard and found what he wanted: an axe, lying rusted and dull on the cement floor, near a few logs and a heap of kindling wood, thick with dust. He wrapped his handkerchief round the grimy axe handle and went back upstairs.

He approached the door determinedly.

He swung the blade of the axe powerfully against the panel just above the lock; the wood caught the blade and held it, he had to wrench it out. That eerie sound didn’t stop. He smashed again, and splintered the wood; smashed on with fierce urgency until a strip of the panelling lay on the floor. He thrust his hand through the gap, hoping for the unlikely – a key on the inside.

There wasn’t one.

He smashed again and again, until the lock gave way and the door sagged open. By then, he was dripping with sweat; and the moaning sounded louder. He shouldered the door wide open, flashed on his torch, and stepped inside the room.

A man was pressed tightly against the wall, and Roger didn’t see him until he came leaping forward.

Sharp nails clawed at Roger’s face, a knee came up and caught him agonisingly in the groin. As he reeled back against the swinging door, hands clutched at his throat and squeezed; powerful, claw-like hands. He tried to use the axe as a weapon, but couldn’t get it into position. He felt the air locked in his lungs, his chest heaved as he tried to breathe, as blackness descended upon him. He struggled, kicked, but he couldn’t free himself.

He slumped to the floor.

 

Chapter II

THE DARK ROOM

 

It was dark.

That was all Roger realised at first – darkness and pain that was little more than discomfort at his chest, and a smarting soreness at his face. He didn’t know what had happened until he heard a sound – a moan. Then everything flashed back.

He was lying on the floor.

He couldn’t see where, but the moan was so near that he knew he was in the room.

There was a dull pain in his groin, and when he tried to get up, the pain became sharp and he collapsed, grunting. The moaning went on – a steady trickle of sound. He turned gently on to his right side, and began to get up. His head swam, but he managed to stand. He put out his right hand and touched the wall, swayed towards it and then leaned against it; his lungs still felt tight and locked.

Outside, the wind was howling.

He heard a different sound, neither the wind nor the woman – rather that of a car on the road. It faded. He bent down, and the blood rushed to his ears as he groped for his torch, found it, and switched it on. The light was so bright that it hurt his eyes. He didn’t switch off, but swivelled the light round slowly until at last it fell upon the woman.

She lay on a single bed, two yards away from him, one arm hanging over the side – a slim white hand. Her body was flat, and she lay on her back. Her clothes were dishevelled, her long legs, sheathed in nylon, were nice legs. As the light travelled up, he saw enough to judge that she was young and comely; not her face, the light didn’t touch her face yet – just her body. Her white blouse was open at the neck. The light fell upon the point of her chin, and it might be Janet’s. Then it travelled to her face and her head . . .

He dropped the torch.

It crashed on to the floor and went out, plunging the room into darkness.

When the worst of the shock was over and his mind began to work, one thought came absurdly into it: how could she be alive? How could anyone so injured be alive?

Then he heard the car again, much nearer. He didn’t at first realise what it was, but when the engine stopped and a door slammed, he knew that someone had arrived outside. He didn’t move, but stared towards the bed. He heard footsteps, and then a heavy banging on the front door.

Someone shouted; he didn’t catch the words.

He said aloud: “I’m a policeman. I’m used to seeing dead bodies.”

He wasn’t used to such a sight as that – or to the thing which brought the real horror – the possibility that the woman was his wife. Dark skirt, white blouse, long, slim legs, long, slim, slender arm and hand – he had seen the right hand, which had been ringless; Janet wore no rings on her right hand, but she often wore a dark skirt and a white blouse.

There were other sounds, now, of men walking in the house, then along the passage. He heard them talking, but still couldn’t catch the words. There were two or three men downstairs. They started to come up. He put out a foot, feeling for his torch. He didn’t touch it. Faint light appeared; the men were coming cautiously and carrying a torch.

He licked his lips and called: “Who’s there?”

The footsteps stopped on the instant, and the light went out.

He called: “It’s all right. Who’s there?”

He heard a shuffling sound, and then the creaking of boards – and suddenly a beam of light stabbed into the room and into his face. He shut his eyes against it, before he saw the two husky men and the third, behind them. Next moment, he felt powerful hands on his arm, and he was held tightly. When he opened his eyes, the torch light was shining towards the bed.

For a long time – minutes – no one spoke. Then one of the men said in a thick voice:

“You swine.”

Roger said: “Don’t be a fool. I—”

“Shut up!”

He didn’t want to talk, explanations could come later. And these were policemen; before the night was out, they would be turning somersaults in order to please him. Two of them were police constables, anyhow, the third was in plain clothes. Roger didn’t recognise his lean face, and that wasn’t because of the poor light. He couldn’t be expected to know every plain-clothes man in the Surrey C.I.D. What he was expected to know didn’t matter. Fear had been driven away for a spell, but came back in waves of terror.

Was that Janet?

The man in plain clothes said: “Better have some more light. Light the lamp outside, Harris.”

“Yes, sir.” Harris, the policeman nearer the door, seemed reluctant to release Roger’s arm. When he did, the other man held on more tightly, and hurt; but that wasn’t important, all that mattered was finding out whether the woman was Janet.

The woman had stopped moaning.

The plain-clothes man approached the bed.

Roger said: “Look at her right shoulder.”

The man, his back turned on Roger, appeared to be shining his torch into her face.

“Look . . .” began Roger.

“You keep quiet,” said the big policeman, and dug his fingers more deeply into Roger’s arm.

“This will be the doctor,” said the plain-clothes man.

Harris came in with the lamp, alight but turned up too high and smoking badly. He stood it on the dressing-table, and the plain-clothes man told him to be careful not to touch anything. He trimmed the lamp clumsily. After the darkness and the beam of torchlight, it seemed a soft, gentle but all-revealing glow.

Roger said in a taut voice: “All I’ve asked you to do is look at her right shoulder.”

The plain-clothes man was tall, with thin features; and the light made him look yellow.

“Why?”

“See if there’s a mole at the back of her right shoulder – egg-shaped.”

“Want to make sure you got the right woman?”

“You can be funny afterwards.”

“With you, no one will ever be funny again,” said the plain-clothes man. He made no attempt to look at the woman’s shoulder. She lay absolutely still, and hadn’t moaned again. It was better that she should be dead than alive, but—the question hammered itself against his mind, filling him with wild terror. Was she Janet?

He forced himself to speak calmly.

“Will you please look at her right shoulder and tell me if there’s a mole on it?”

The plain-clothes man said: “Take him downstairs, you two, and ask Dr. Gillik to come upstairs at once. If the squad car has come with him, tell them to be very careful what they touch and to start on that downstairs window. I’ll send for them when I want them. Oh, I’d better have the photographer up at once.”

“Yes, sir.” Harris and his companion pulled at Roger’s arms.

A mole – and it was Janet. No mole – not Janet.

Roger got one arm free, and then sensed what was coming. He turned his head. A ham-like fist smashed into his nose, blinding him with pain and tears. The woman and the plain-clothes man became shapeless blurs. He felt himself dragged out of the room. Then one man took his arm and bent it behind him in a simple hammer-lock, and pushed him downwards. The other followed. There were men in the hall, including a middle-aged man with greying hair and carrying a black bag; ‘doctor’ was written all over him.

“Inspector Hansell would like you to go straight up, doctor, please.”

“What’s this all about?”

“Very nasty business, sir.”

Cold grey eyes scanned Roger’s face. The doctor didn’t speak, but couldn’t have said more clearly: “And you’ve got the man, good.” Roger was thrust into a small front room, where a lamp burned, then pushed into a chair.

“That’s too comfortable for him,” said Harris. “Get up – sit on that chair.”

‘That chair’ was an upright one.

Roger didn’t move.

“I told you to get up!”

It wasn’t worth arguing. He stood up, then sat on the other chair, which was near a big, heavy, old-fashioned standard lamp. He didn’t realise what Harris was at until cold steel pressed into his wrist, and a lock snapped. He was handcuffed to the standard lamp.

So this was what it was like on the other side of the law; how they dealt with a suspect. No, be just. They hadn’t really manhandled him; Harris had been justified in striking him when he had tried to get away, and couldn’t really be blamed for the power he’d put into his punch. The handcuffs were justified, because he’d made one attempt to escape.

His arm, stretched out, began to ache.

Men were going up the stairs.

What had brought them so quickly and in such force?

Harris, red-faced and bucolic, kept staring at him.

Roger said slowly and deliberately: “I want to send a message to Inspector Hansell from Chief Inspector West of New Scotland Yard.” Harris started. “I want to know whether that woman has a mole at the back of her right shoulder, and I want to know quickly.”

Harris shrugged.

“When the Inspector wants to hear from you, he’ll tell you. Keep your mouth shut.”

“Damn you, find out about that mole! Tell him that I’m West. Get a move on!”

Harris was startled. The other constable grunted, and they exchanged glances. Then Harris said: “I’m Queen of the May.” But he went out of the room and made his way up the stairs; they creaked at every step. The other man, husky enough but smaller than Harris, moved to the door, as if he didn’t want to become inveigled into conversation.

When Roger heard Harris’s ponderous tread on the stairs again, the nightmare became reality. He sat upright, straining his eyes and his body.

A man spoke to Harris, whose rumbling voice came clearly; his words had nothing to do with Janet. Roger half-rose from his chair, and the constable at the door growled: “Don’t try anything.”

The rumbling went on, then stopped; Harris appeared. A word burst out of Roger. “Well?”

“No mole,” said Harris.

 

Chapter III

WHY?

 

The dead woman wasn’t Janet. Janet was alive, free, Janet was . . .

Janet wasn’t here.

And what about Cousin Phyllis?

What was behind all this?

As a frame-up, it was nearly perfect.

Once accept the possibility that someone had wanted to lure him here and have him accused of murder, and the rest followed easily enough. But swallowing that wasn’t easy.

The sobering process continued.

Everything had been laid on, even the call to the police with the convincing warning that it was a case of murder. Nothing else would have brought Hansell and his squad along so fast.

He must get one thing clear. Hansell had been summoned so that he, Roger West, youngest C.I. at the Yard, could be caught in the house with the dead girl. Was he right in thinking he had only to convince Hansell that he was West, and the situation would switch in his favour?

He’d been found on enclosed premises, with a girl battered brutally, and with an axe by his hand.

Roger murmured to himself: “I’m in a spot.”

“About time you realised it,” Harris growled.

Roger shrugged and stood up. He could do that without pulling the standard lamp over. He hadn’t a chance to get away, but both policemen moved towards him. He turned away from them and looked into an oval mirror above the mantelpiece. This was the first time he had seen his reflection since he had come round, and it gave him another shock.

His face was a dark blotch, looking sinister and brutal.

 

Hansell came in. Roger didn’t notice, because he was still staring at his reflection. The panic was subsiding into reason. His face was badly scratched, the scratches had bled a lot, and the blood had dried on it, in a brown mess which looked black in the mirror. He put his right hand to his cheek and felt a sharp pain in the back of the hand, looked down and saw the long cut in it – the cut which he had received from the window-glass.

Then he was aware of Hansell standing behind him and staring into the mirror. He turned. The two policemen had gone out, and the door was closed.

“Admiring yourself?” asked Hansell. “Who are you?”

“I’m—” Roger paused, as the vital question reared up in his mind again; would he be wise to allow this frame-up to succeed, for the time being?

“Aren’t you sure?” Hansell sneered. “Perhaps you’ve a split mind. Why were you so interested in that mole?”

“My wife has a mole just where I asked you to look.”

“So that makes you not a wife murderer.”

“That’s right.”

“Stop fencing. Who are you?”

Roger liked Hansell; he had a feeling that the man was a good officer, one in whom there was a full sense of responsibility. Once Hansell was convinced of the truth, he would hold his tongue.

“Roger West, Chief Inspector, Scotland Yard.”

“So you remember you’ve told Harris that. Mind if I see your wallet?”

Roger moved his left hand to get it, and the handcuff stopped him. “Help yourself.”

Hansell took out his wallet. In the poor light, this was an eerie experience, but he faced it out. He didn’t look at the wallet, but at Hansell’s lean, narrow face and the drooping lips – this man had the face of a cynic. Several letters were in the wallet, and Hansell took them and turned towards the light. Only then did Roger see that it wasn’t his wallet; it was brown, his was black; this was much thicker, too; and he saw a wad of one-pound notes, many more than he ever carried.

“That’s not . . .” he began.

“Three letters, addressed to Mr. Arthur King – at least you got the number of syllables right,” Hansell said sardonically. He probed into the wallet. “Driving licence – Arthur King. What gave you the idea of pretending to be a policeman?”

Roger sat down heavily.

“You’re Arthur King, of 18 Sedgley Road, Kingston-on-Thames,” Hansell said, “and I charge you with the murder of a woman, as yet unknown, and warn you that anything you say may be used in evidence. Any legal quibbles about that?”

Roger said slowly: “It’ll do, for now.”

“I still want to know why you pretended to be West.”

“Work it out later, and don’t try any rough stuff, Hansell.” Roger spoke sharply, seeing the other’s hands clench. “What’s your evidence? Wholly circumstantial? I was in the room with her, you saw me and jumped to the conclusion and charged me. That story ought to please your superintendent and give the magistrate apoplexy.”

“You were near to the axe with which she was killed,” Hansell said. “Your prints are on the axe, on the torch you were using, and they’re all over the place – including the window, where you forced entry. That girl put up a fight and clawed your face, and skin and blood off your face are under her finger-nails.”

Roger said: “I didn’t kill her. I was outside, heard a scream, broke in, and then heard moaning. I broke the door down with an axe and when I went inside, a man attacked me and knocked me out. I hadn’t been conscious again for five minutes before you arrived.”

“How did you get here?”

“By car.”

“What car do you use?”

“A Morris 12, supercharged engine, registration number SY 31.”

Hansell laughed. “That’s why a Chrysler with registration number XBU 31291 is parked in the road outside, I suppose.”

That made the frame-up as near perfect as one could ever be, by breaking down the story of how he had approached the house. His assailant had scratched his face to make it look as if he had struggled with the girl. There was even a chance that he’d transferred blood and skin from Roger’s cheeks to the girl’s fingers; he would be as thorough as that, and yet it didn’t make sense. How could the man prove that a senior officer of the Yard was someone else? How could he hope to make that stand up?

He couldn’t.

He stood a chance of proving that Roger had been pretending to be someone else.

“Why not give up trying, King?” Hansell asked. “We’ve caught you with everything.”

“Then you ought to be happy.”

“I’ll be more satisfied when I know why you killed that kid upstairs.”

“I’ll be more cheerful when you start looking for the murderer. Give me a cigarette, will you?” He always kept his cigarettes in his hip pocket and couldn’t reach it with his free hand.

“No, I don’t smoke them. I wouldn’t give you a cigarette if I did. Harris!” Hansell raised his voice, and the door opened at once. “Go through his pockets and put everything from them on the table,” Hansell ordered. “You stay here with them. Lister.” So the other big constable was named Lister.

Hansell went out, and Harris began to go through Roger’s pockets. Out of the right-hand jacket pocket he took a slim gold cigarette-case; not Roger’s. From the waistcoat, a lighter, watch, and diary – none of them Roger’s. He was used to the idea now – that his assailant had taken everything out of his pockets and put someone else’s stuff in its place.

P.C. Lister made a note of everything, calling it out aloud as Harris placed it on the table.

Hansell came in.

“Finished?”

“Yes, sir,” said Harris.

“Anything marked with R.W.?

“No, but several things have A.K. on them, sir.”

“Good enough,” said Hansell. “Sergeant Drayton is outside, and he’ll take you and the prisoner down to the station. He can be tidied up, but before that I want you to scrape some of that dried blood off his face, and keep it. You can give him something to eat, and let him have a packet of cigarettes but no matches – when he wants a light, he will have to ask for it. Don’t let the Press get at him. Take him in the back way, and see that he doesn’t see anyone except our people.”

“Yes, sir.”

Harris unlocked the handcuffs. Roger rubbed his wrist gently. Both policemen kept close to him, and once they were in the hall. Lister held his arm tightly, just above the elbow. Outside, there was a blaze of light with silver streaks stabbing through it; rain was coming down heavily. The lights came from several cars parked in the lane, most of them facing towards the road and Helsham, but one, a glistening American model, was facing the other direction; this was ‘Arthur King’s’ Chrysler.

He got into the back of a car. Harris sat next to him, Lister took the wheel, and a bulky plain-clothes man, presumably Sergeant Drayton, sat next to the driver. Roger watched the other cars as they passed slowly, and then saw the big white boulder and the newly-painted signpost.

He sat back and closed his eyes, feeling Harris’s arm against him. If he made a move, Harris would use that ham of a fist again. There was no point in trying to escape, anyhow, Harris could rest easy. His thoughts flashed from one thing to another. But for that girl’s face and head, this would be laughable; farcical.

They were going cautiously down the steep hill, which Roger had come up, in third. There were several dangerous corners, and none of them was marked, because the road was little used. The headlights shone on the spears of rain and the leafless hedges bent beneath the fierce March wind. Road and banks glistened. Trees stood out like grey spectres, and dropped behind, only to be replaced by others. Roger saw lights, some distance ahead – the lights of Helsham Village, but they would go on to Guildford. Whom did he know at Guildford?

The driver turned a corner and then jammed on his brakes. All of them were jolted forward, Roger before he caught a glimpse of the road block or of the men who darted forward the moment the car stopped.