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Copyright & Information

The End of Solomon Grundy

 

First published in 1964

© Estate of Julian Symons; House of Stratus 1964-2011

 

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior permission of the publisher. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.

 

The right of Julian Symons to be identified as the author of this work has been asserted.

 

This edition published in 2011 by House of Stratus, an imprint of

Stratus Books Ltd., Lisandra House, Fore Street, Looe,

Cornwall, PL13 1AD, UK.

 

Typeset by House of Stratus.

 

A catalogue record for this book is available from the British Library and the Library of Congress.

 

  EAN   ISBN   Edition  
  1842329235   9781842329238   Print  
  0755128869   9780755128860   Kindle  
  0755128877   9780755128877   Epub  

 

This is a fictional work and all characters are drawn from the author’s imagination.

Any resemblance or similarities to persons either living or dead are entirely coincidental.

 

 

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About the Author

Julian Symons

 

Julian Symons was born in 1912 in London. He was the younger brother, and later biographer, of the writer A.J.A. Symons.

Aged twenty five, he founded a poetry magazine which he edited for a short time, before turning to crime writing. This was not to be his only interest, however, as in his eighty-two years he produced an enormously varied body of work. Social and military history, biography and criticism were all subjects he touched upon with remarkable success, and held a distinguished reputation in each field. Nonetheless, it is primarily for his crime writing that he is remembered. His novels were consistently highly individual and expertly crafted, raising him above other crime writers of his day.

 

Symons commenced World War II as a recognised conscientious objector, but nevertheless ended up serving in the Royal Armoured Corps from 1942 until 1944, when he was invalided out. A period as an advertising copywriter followed, but was soon abandoned in favour of full time writing. Many prizes came his way as a result, including two Edgar Awards and in 1982 he received the accolade of being named as Grand Master of the Mystery Writers of America – an honour accorded to only three other English writers before him: Graham Greene, Eric Ambler and Daphne Du Maurier. Symons then succeeded Agatha Christie as the president of Britain’s Detection Club, a position he held from 1976 to 1985, and in 1990 he was awarded the Cartier Diamond Dagger from the British Crime Writers for his lifetime’s achievement in crime fiction.

He published over thirty crime novels and story collections between 1945 and 1994; with the works combining different elements of the classic detective story and modern crime novel, but with a clear leaning toward the latter, especially situations where ordinary people get drawn into extraordinary series of events – a trait he shared with Eric Ambler. He also wrote two modern-day Sherlock Holmes pastiches. In A Three Pipe Problem the detective was ‘...a television actor, Sheridan Hayes, who wears the mask of Sherlock Holmes and assumes his character’. Several of Julian Symons’ works have been filmed for television.

 

Julian Symons died in 1994.

Introduction

The French call a typewriter une machine á ècrire. It is a description that could well be applied to Julian Symons, except the writing he produced had nothing about it smelling of the mechanical. The greater part of his life was devoted to putting pen to paper. Appearing in 1938, his first book was a volume of poetry, Confusions About X. In 1996, after his death, there came his final crime novel, A Sort of Virtue (written even though he knew he was under sentence from an inoperable cancer) beautifully embodying the painful come-by lesson that it is possible to achieve at least a degree of good in life.

His crime fiction put him most noticeably into the public eye, but he wrote in many forms: biographies, a memorable piece of autobiography (Notes from Another Country), poetry, social history, literary criticism coupled with year-on-year reviewing and two volumes of military history, and one string thread runs through it all. Everywhere there is a hatred of hypocrisy, hatred even when it aroused the delighted fascination with which he chronicled the siren schemes of that notorious jingoist swindler, Horatio Bottomley, both in his biography of the man and fictionally in The Paper Chase and The Killing of Francie Lake.

That hatred, however, was not a spew but a well-spring. It lay behind what he wrote and gave it force, yet it was always tempered by a need to speak the truth. Whether he was writing about people as fiction or as fact, if he had a low opinion of them he simply told the truth as he saw it, no more and no less.

This adherence to truth fills his novels with images of the mask. Often it is the mask of hypocrisy. When, as in Death’s Darkest Face or Something Like a Love Affair, he chose to use a plot of dazzling legerdemain, the masks of cunning are startlingly ripped away.

The masks he ripped off most effectively were perhaps those which people put on their true faces when sex was in the air or under the exterior. ‘Lift the stone, and sex crawls out from under,’ says a character in that relentless hunt for truth, The Progress of a Crime, a book that achieved the rare feat for a British author, winning Symons the US Edgar Allen Poe Award.

Julian was indeed something of a pioneer in the fifties and sixties bringing into the almost sexless world of the detective story the truths of sexual situations. ‘To exclude realism of description and language from the crime novel’ he writes in Critical Occasions, ‘is almost to prevent its practitioners from attempting any serious work.’ And then the need to unmask deep-hidden secrecies of every sort was almost as necessary at the end of his crime-writing life as it had been at the beginning. Not for nothing was his last book subtitled A Political Thriller.

H R F Keating

London, 2001

The Nursery Rhyme of Solomon Grundy

Solomon Grundy

Born on Monday

Christened on Tuesday

Took ill on Wednesday

Worse on Friday

Died on Saturday

Buried on Sunday

This is the end

Of Solomon Grundy

PART ONE

Chapter One

 

The Weldons’ Party

 

Grundy’s hands, large, strong and hairy, rested on the steering wheel. The hairs, reddish and curling, sprouted abundantly from the confinement of his cuffs, covered much of the backs of his hands, and extended above the knuckles to his fingers. The lights changed to green and he turned out of the High Street traffic into the quietness of Brambly Way, with its squat Victorian blocks on one side and symmetrical Georgian façades on the other.

Three hundred yards down Brambly Way the blocks were broken by a sign that said in sans serif capitals THE DELL. Beneath it, in upper and lower case, the sign said: “5 Miles an Hour, Please. Children Playing.” Twenty yards from this sign the houses began, built on both sides of the gravel road in small terraces of four or six, with identical picture windows but each with its differently-coloured front door. Each house had its own small garden and front gate, and outside the gate strips of green, narrow as carpet runners, separated the houses from the gravel road down which the car jolted, small stones crunching under the tyres. The hundred houses that made up The Dell stretched as far as the eye could see, some of them parallel and some at angles to the road and to each other. They were intersected at several points by other gravel roads and by stretches of green public lawn on which a few children were still playing at the end of this mild September day. Grundy drove round three-quarters of The Dell, then parked his old Alvis beside other cars on a patch of waste ground, and walked across the waste ground to his house. He opened the magenta front door. The time was eight o’clock.

Marion was in the bedroom in slip and knickers, making up her face. He bent over her. “Don’t kiss me,” she said. “You’ll spoil it.”

He stared at the two faces in the glass, hers a little haggard but darkly pretty, intense and eager, his own freckled, ginger-coloured, rough.

“What are you getting ready for?”

The Weldons’ party. I told you this morning.”

“I forgot.”

“You never remember anything. You’re late.”

He waved one hand. “I got caught up.”

“They said eight o’clock.”

“It doesn’t matter about time with them, you know that. Besides, you’re not ready.”

“What was the point of my getting ready when you hadn’t come home?”

This almost meaningless bickering had become part of their lives.

Grundy washed his hands and face and then went down into the living-room, drew the curtains over the picture window, put the first record he picked up on the record player, and sat down in an arm-chair with thin metal legs and a circular back. The record was from My Fair Lady. He turned it down until he could hear the words only as a murmur, returned to the chair, sat back and closed his eyes.

Ten minutes later Marion stood before him, ready for the party. She wore a dark green silk dress with a pearl necklace and earrings that he had given her ten years ago.

Her eyes sparkled with the expectation of enjoyment, as they always did before a party.

“Are you going in that suit? Aren’t you even going to change your shirt?”

“For Dick and Caroline, no.” Grundy got up, turned off the record player. “You look nice. A little snifter before we go?”

“We mustn’t get there stinking of drink.” But she took the large whisky he poured for her, pirouetted on a shapely leg, sat down opposite him. Reproductions of Rouault, Dufy, Segonzac, Utrillo, looked at the pair of them. “Dick’s asked Kabanga.”

“Who?”

“That Jamaican or West African or whatever he is, you know he’s just come to live on the corner, No. 99. Edgar says there are too many of them coming to live here, they’ll put down property values.”

Grundy swirled the whisky in his glass. A little slopped on to his thumb, and he sucked it. “Edgar’s a bastard.”

“It doesn’t matter, does it?” Marion leaned forward, her eyes bright. “I mean, colour shouldn’t be anything to do with it. Nor should money. That’s what I think’s so wrong.”

“I don’t know what you mean.”

“I mean, Dick’s just asked him out of curiosity, because he’s coloured.”

Grundy put down his drink. “Let’s go.”

They went out, walked a hundred yards to the right, crossed the road. From the Weldons’ house, which was similar to but a little larger than their own, came a confused roar of talk, music and laughter. The door was open, but they rang the bell.

“Sol. Marion. My darlings. So glad you could make it.”

“We had a long way to come,” said Marion, responding to this old Dell joke.

Dick Weldon looked from one to the other of them, his large nose slightly raised as though scenting – what? – a scandal, an indiscretion, some infelicitous note indicative of marital disharmony? By profession an architect, Dick was a man who felt a natural, proprietorial interest in other people’s affairs. This interest was not malicious. It was simply that to be unaware of what was going on in the neighbourhood – not to know who had moved into the house left empty three months ago, or who was running the raffle for the Church or nuclear disarmament funds, or who had been knocked off his bicycle in Brambly Way – pained him like a nagging tooth. Over the years Dick’s great blunt nose had developed a beautifully delicate susceptibility to news that might interest him and now he stood, pointing as it were, for a moment, before he stood aside for them to pass him, bellowing: “Caroline, Caroline.”

The roar was louder, a turbulent dynamo of sound. Dick made a placatory gesture towards it, like a man apologising for the boisterousness of his loveable dog. “Get you a drink,” he said, and disappeared. Marion added her coat to the pile in the hall, and they pushed their way into the living-room. A couple of feet inside they were checked by a fat-faced boy who thrust at them a tray of bits of sardine, olives, smoked salmon, meat and cheese on strips of toast. They each took a strip.

“Hallo, Cyprian,” Marion said. “It’s a bit hard on you having to carry this tray around.”

“Mummy told me to. I’m staying up.” “That’s nice for you. Do you like the party?”

“I think it’s bloody awful. I want to watch TV.”

“What’s that?”

“It’s a programme about an African tribe. They still have human sacrifices and initiation ceremonies. In one initiation they cut open a man’s stomach—”

Cyprian was waylaid by a girl in a mauve dress. Marion chewed her bit of smoked salmon and shuddered slightly. “Horrid little boy.”

“I’ll get us a drink.” Grundy turned on his heel. Within the vortex of the room he was sucked into a pool of sound and physical contact. He knew most of the fifty people there, since almost all of them lived in The Dell. They were men and women like himself, accountants or advertising men or architects or actors. He knew that their wives, in appearance plain or pretty, tarty or timid, were generally faithful to their husbands even when they were flirtatious with other people. Yet such is the transforming power of a party that these people now seemed strange to him, as though they were all in process of becoming what they believed to be their real selves, selves more witty, profound, elegant and desirable than was ever apparent in the knockabout of everyday life. As he pushed through the scrum, his thighs brushing against a woman’s buttocks, the skin of his hand feeling the texture of suits smooth or hairy, sentences and phrases came through to him through the deep general wave of sound, rather as though the crackle on a wireless set were intermittently shut off in favour of intelligible speech.

“—in any theory of graduated response—”

“—a wonderful hock, fruity and fragrant—”

“—a disgrace, of course, the whole garage question, and the committee—”

“—Beyond the Fringe, yes, I loved the one who—”

“—Late again, I said to the porter, and he said—”

“—if overkill, I mean, why not underkill—”

“—kill in any case—”

“—either you deliver on Thursday, I said, or I cancel the order—”

“—you can’t go wrong with the ’59—”

“—the Macmillan sketch was extremely funny—”

“—that’s right, you can’t go wrong with the ’59—”

“—an outmoded concept, have you read Schlesinger—”

“—part of the price we pay for living here—”

“—don’t shoot the committee, they’re doing their best—”

A voice said in his ear, “Don’t shoot the committee, eh?” Edgar Paget grinned up at Grundy, a little marine growth of a man, thick dark hair smooth as seaweed, features pudgy and malleable as though seen under water.

“I’m looking for a drink.”

“Here.” Paget wriggled aside, and behind him there was revealed a table with a cloth on it that served as a bar. Bottles of several kinds, full, half-full and empty, stood upon it. Grundy took a glass and one of the bottles, and tilted it. Suddenly Caroline Weldon, her face flushed, popped up from the other side of the bar.

“Darling Sol.” She leaned over and kissed him gently on the cheek. The bottle jerked a little, liquid flowed over the cloth.

“Very sorry.”

“Doesn’t matter. Are you having fun?”

“I’ve only just got here.”

“I’m having fun, I’m a barmaid.” And indeed Caroline, brawny-armed, deep-bosomed, hair some quite honestly artificial shade of blue, did look at home behind the bar. “Where’s Marion? Has the poor darling got a drink?”

“I’m not sure. I’ll take her this one.”

There was a tug at his sleeve, light but positive and persistent, like that of some small animal determined to attract attention. Edgar’s face wavered a shoulder’s height below his.

“Wanted to have a word, old boy, just a couple of minutes, in here.”

Grundy allowed himself to be led out of the door into the adjoining small dining room. People at parties congregate in one room and for no apparent reason ignore another. So at this party there were no more than half a dozen people in the dining room, talking quietly and earnestly to each other. Edgar took Grundy to a corner of the room where they talked beneath one of the near-Calder mobiles which Caroline made to express her uncertain artistic aspirations.

“I expect you can guess what it’s about.” Edgar smiled lopsidedly. Whisky could be smelt upon his breath. Grundy absent-mindedly gulped the wine he had got for Marion.

“The garages? There’s a committee meeting tomorrow, isn’t that right?”

“Not the garages. This African chap.”

“Kabanga?”

“Yes. Dick’s asked him along here, that’s all right, shake hands with the fellow, quite all right. But there’s a bit too much of it.”

“What do you mean?”

“He’s moved in, you know that, I expect. Four of them living here now.”

“Well?”

“I’m an estate agent, old boy, believe me I know what I’m talking about. There was just one living here twelve months ago, four now, maybe twenty in another twelve months. You’ve got no colour prejudice, all right, neither have I, but I’m telling you – speaking as an estate agent, mind you – if that happens the value of your house is going down and down. Right or wrong, that’s the way it is.” He wagged a finger. “Tell you another thing. Keep my ear to the ground, you know that. This Kabanga’s no good.”

“What do you mean?”

“A word to the wise. He’s no good, that’s all.”

Grundy tapped the mobile above his head. Little gold and silver blobs on the ends of the wires moved round. He drained his glass. His voice, hoarse but powerful, came like rusty water out of a tap.

“Marion and I were talking about this before we came here. Do you know what I said? I said to her, ‘Edgar’s a bastard.’”

Edgar’s face wobbled, the eyes staring fixedly in their jelly of flesh. He began to say something, then put down his glass on a table and turned away. Grundy began to laugh. The Weldons’ daughter, Gloria, a girl of thirteen, came up carrying a tray of sausage rolls.

“Have one of these. Mummy made them, and I’ve made them hot. Isn’t this party just marv.”

“Marv.” He took a sausage roll.

 

By ten o’clock Marion had drunk three large whiskies, two glasses of white and one of red wine, and had eaten a number of biscuits and bits of things on toast. She had seen her husband’s ginger head only once or twice across the room, but this was not unusual. They were after all, as she often said, independent beings, and you didn’t go to a party just to talk to your husband. So she had talked to Peter Clements, the TV producer, whose general air of extrovert normality made it all the more surprising that he kept house with Rex Lecky, a young actor who seemed to be nowhere about. She had talked to Jack Jellifer, who was a professional expert on wine and food, and to his rather tarty wife Arlene. She had had a long conversation with Dick Weldon, in which Dick had told her that he often worried about the kids, particularly about the language Cyprian used.

Marion shook her head. “Doesn’t matter.”

Dick was serious, even solemn. “Honestly, sometimes I wonder whether a psychiatrist is the answer.”

“Trauma. Just a trauma.”

“You think so?”

“If you’ve got a good relationship, you and Caroline, that’s what’s important to – to Gloria and Cyprian. Home example, that’s the thing.”

“I expect you’re right.” Dick nodded, with what in another man might have been called complacence.

“I mean to say, when you’ve got a relationship like that you can feel happy about – anything.”

She became aware that her voice was a little high. Dick’s large nose pointed upwards, his brown eyes looked at her speculatively. To avoid his gaze she lifted her glass. It was empty.

“I’m being a bad host.” He filled her glass with white wine and moved away. From the dining-room there came the sound of music. Marion moved towards it and stood in the doorway. Somebody had turned out all of the lights except one, and had placed a thick bit of material over that. In the semi-obscurity half a dozen couples moved around. Marion saw Jack Jellifer dancing with Caroline Weldon, and Arlene moving round with her head resting on the shoulder of a stranger to the Dell, whom she vaguely recognised as a guest of the Weldons. She did not see her husband.

“Would you care to dance?”

This was another stranger, a slight smiling man. His teeth gleamed whitely, his dark suit fitted him snugly, a white handkerchief peeped out of his breast pocket.

“Thank you.” She was dismayed to hear the hint of a giggle in her voice. She looked round for somewhere to put her glass, and in a moment he had taken it from her. Then she was in his arms. There came from him some faint semi-sweet semi-astringent smell, perhaps a blend of hair oil and eau-de-Cologne. He murmured something which she didn’t hear.

“I’m sorry.”

“I love the name of The Dell. It is well chosen for a little oasis of peace.”

“It’s a real little community, yes. A paradise for children, five miles an hour for cars, they can play in safety.”

“You have a family?”

“No.”

“I suppose most of the people here are part of the community?”

He had a pleasant voice, low and melodious. “Why, yes. Someone or other in The Dell gives a party pretty well every month, and of course they ask their neighbours. I suppose you might call it a bit dull in a way, but we don’t think so.”

“How could it possibly be dull?” He smiled, and pressed himself very slightly against her. The music stopped. They separated. He recovered her glass and handed it to her with the hint of a bow. They leaned against the wall. “I am sure I shall not find it so.”

For a moment what he had said did not sink in. “You live here?”

“I am what you might call a new boy. Tony Kabanga.”

“Of course. How silly of me. I’m Marion Grundy. We – I don’t know where my husband is – we live at No. 70.”

His teeth were gleaming. “I know almost nobody here, that was why I so much appreciated Mr Weldon—”

A woman screamed, a noise that pierced the noise.

Marion was startled, and more startled to find her wrist suddenly and painfully gripped by Mr Kabanga. She looked down, and in the dim light it seemed to her that the hand placed on her wrist was dark. “Where did that come from?”

“Upstairs, I think. Probably somebody’s spilt—”

But he had left her, moving smoothly and sinuously into the large living-room and through the crowd that had now perceptibly thinned. She followed him, out into the entrance hall from which a self-consciously elegant staircase went up to the three bedrooms and bathroom on the floor above. She looked up the stairs and it seemed to her that what she saw would be printed on her mind for ever.

Coming down the stairs was a young woman she had never seen before in her life. She was perhaps twenty five years old, she had a high colour, her eyebrows were thick, her nostrils flared boldly, her glossy dark hair was piled up in a beehive. She wore a dress that glittered as though it was made of fish scales, with slits up the side of each leg. This dress had been torn on the left shoulder, and the tear extended down the front. She was doing her best to hold the tears together, without much success. On the fine pure marble of her left shoulder there could be seen red marks.

At the top of the stairs, glowering down, stood her husband, hands hanging ape like. He looked enormous, seen from below. His collar and tie were pulled a little to one side, his suit was rumpled, and upon his cheek there were four thin red vertical lines.

This was the scene that stayed with Marion Grundy unblurred by the nightmare events of the following days and weeks. In fact, no doubt, there never was a moment of time frozen like this, in fact the girl must have been moving down the stairs, Grundy must have been in the act of taking out a handkerchief to dab at his cheek, but the picture stayed in her mind as though fixed permanently by a camera. Then it splintered as though the camera print had been dissolved by acid, everybody began to move and speak.

The young woman came down the stairs, even in these difficult circumstances, with natural grace. Tony Kabanga moved forwards from the people in the hall just as gracefully and Marion saw now that his skin was a very light coffee colour, so that he could never really have passed for white although he was a long way also from the dusky African of her imagination.

“Sylvia,” he said.

“Tony.” She descended the rest of the stairs, put her white arms round his coffee-coloured neck.

He said nothing but, by some masterly strategy produced from an inner pocket a small gold safety pin. With this he repaired the worst ravages to the silver fish scales. Dick and Caroline were now on the scene – when had they got there? – Dick’s nose high and eager. Kabanga, with what seemed miraculous speed, had discovered their coats.

“You’re not going?” Dick’s nose swung from side to side in quest of information.

Kabanga said with courteous gravity, “Yes, we must go.”

Caroline moved forward, looking at the tear in the girl’s dress. Grundy came down the stairs. He did not look at his wife, but held a handkerchief to his cheek. Dick glanced from one to the other of them, then said heartily: “And now, Caroline my dear, how about a bowl of soup? Did I smell something quite intoxicatingly delicious brewing in the kitchen?”

“Not unless Gloria’s doing it.”

Cyprian’s fat face appeared from somewhere. “Did she scratch his face?”

“Just see how Gloria’s making out, will you, my dear?” Dick said with transparently false bonhomie.

“You tore her dress, didn’t you?” Cyprian asked Grundy.

“You just shut up, young man,” his father said.

“High time you were in bed.”

He hustled Cyprian upstairs, Marion and Grundy got their coats. Just before they left she heard Cyprian’s voice from upstairs: “But it’s interesting. Was he trying to rape her?”

 

When they got indoors Grundy poured himself a large whisky and drank it neat. Marion indicated her own refusal of a drink by a sharp shake of the head. It would have been against her principles to criticise her husband for drinking, although she thought he had had enough.

“What worries me is why you had to do it,” she said.

“I mean, I’ve always thought we had a good relationship. Of course I quite accept that you can be attracted to somebody else, although I didn’t think she was – well, your type.”

“Let it alone.”

“I can’t. It worries me.”

“You’re so beautifully bloody rational.”

“What’s worrying is that it must show we’re badly integrated.” He burst out laughing.

“If you want to know, it wasn’t what you’re thinking at all.”

She sat down. Her voice was consciously patient.

“Please, Sol. I know what I saw on the stairs. I won’t say I don’t mind, but we’re civilised people. Please don’t be childish about it.”

“You’re too good to be true.”

“I’m going upstairs.” She got up, swaying slightly, just a little drunk. At the door she turned and spoke, almost defiantly. “I don’t see that it’s all my fault if we don’t have a good relationship. If you’d like—”

“No, thanks.”

Grundy poured himself some more whisky, and went upstairs half an hour after her. The light in their room was out. They slept in separate beds.

 

The departure of Tony Kabanga and his friend, followed by that of the Grundys, destroyed the rhythm of the party. People were not exactly embarrassed by what had happened, and indeed, as is always the way on these occasions, most of them were not sure just precisely what had occurred. Was it that somebody, drunk, had hit somebody else upstairs? A woman had slipped and fallen down that treacherously elegant staircase, tearing her dress? Grundy had had a fight with the coloured chap? Whatever it was, people wanted to talk about it, and they felt that this would not really be proper in the Weldons’ house. The party therefore began to break up immediately after the Grundys’ departure, and had completely disintegrated before midnight. Edgar Paget and his wife Rhoda were among the first to go, and they took with them their daughter Jennifer. The Pagets lived just outside The Dell, in Brambly Way, but Edgar had been responsible for selling several of the houses in The Dell, and exercised such a near-proprietorial interest in them that he was generally invited to parties.

Jennifer, who was seventeen, spotty, and much larger than her parents, was silent on the way home, and remained silent while her father opened the cocktail cabinet and poured for himself and his wife their ritual night-cap. She longingly watched her father recork the whisky bottle. It was understood, but not by her, that she was too young to drink more than an occasional glass of sherry or white wine.

Edgar settled himself into a chair, crossed one little leg over the knee of the other, and swung it jauntily. “Shows what happens when you make the mistake of letting in our coloured friends.”

“And their fancy ladies.” Rhoda Paget was no taller than her husband, and was indeed an almost square little lady, but where Edgar’s features were malleable, capable of constant change, Rhoda’s solid trunks of legs, square figure, firmly defined features, might have been made out of metal. “It wasn’t Kabanga, though, there was some sort of row upstairs.”

“Shouldn’t let ‘em in. Great mistake to let them in to The Dell.”

“Don’t see how you can stop them.”

“Not stop them?”

“One man’s money’s as good as another’s, I suppose.” Rhoda was fond of making such apparently bold statements.

Her husband did not reply directly to this remark.

“You can always stop them. There are ways and means. I was saying to that lout Grundy, when you let them in, what do they do? Cause trouble.”

“It was Grundy who caused the trouble.” At this speech of Jennifer’s her parents, for the first time, gave her their attention. “He attacked her, tore her dress.”

“You weren’t upstairs,” her mother said sharply.

“I was. I was in the lav, and I heard her scream. Then when I came out she was standing in the doorway of Caroline’s room and her dress was torn. She came out and there he was behind her. She’d scratched his face, it was bleeding.”

“The dirty dogs,” Edgar said. “The dirty dogs.” It was not clear to whom he was referring.

Rhoda fixed her daughter with a heavy, steely glance.

You didn’t actually see him do it?”

“Do what?”

“Attack her.”

There was a fractional hesitation before Jennifer replied. “He had his hand on her shoulder. You know, pressing it, trying to hold her. But she broke away from him.”

“I expect she led him on.” Edgar got up, walked over to the modern tiled fireplace which was empty of heat, and put his hands behind his back. “I can’t understand the women who go about with these coloured chaps…”

They listened to him, Jennifer looking modestly down at the carpet, Rhoda staring sometimes at her daughter.

 

The Jellifers were among the last to leave, and before they went they had heard from the Weldons as much as their hosts could tell them of the scene on the staircase. They lived in the next block of houses, and it took them only a couple of minutes to walk home across the path that separated them. Jack Jellifer felt, as always, a slight stirring of self-satisfaction as he stepped into their own hall and appreciated the good taste with which it was furnished, the appropriateness of the prints about eating and drinking on the walls, the rightness of the one good original picture in their living-room, a sort of abstract with a central shape strongly suggestive of a fish. Little bits of rather good furniture, ingenious standard lamps, unobtrusive carpets, blended into one harmonious whole.

“People say these houses haven’t got any individuality, that they’re like each other,” Jack was fond of saying. “What they don’t understand is that a house is simply a machine for living. You want it to be comfortable, warm, easy to run, like these houses. Then you stamp your own individuality on it.” Now in his early forties, and just a little jowly and paunchy from conscientious adherence to his duty of eating and drinking, Jack had been extremely good looking in youth, and he retained still a fine fleshy operatic handsomeness, a ponderous elegance of manner that was impressive in its way. Arlene, when she had gone upstairs to make sure that their son Charles was sound asleep, came down and stood smiling at him. Arlene had a style too, the style of a beautiful parrot. Her clothes blared at you, her dark eyes signalled what seemed an invitation to pleasure, her cheeks were brightly-coloured as a doll’s. She waited expectantly while Jack poured the brandy. Should it be aerated in gargantuan goblets or put into vessels more modest? Jack, who firmly believed – and had often said so on radio and television – that one shape of glass was suitable for almost any drink, poured the brandy, stuck his nose into the glass, gravely approved, offered it, sipped, rolled the drink on tongue and palate, swallowed, spoke.

“Rather a curious business. What can old Sol have been up to?”

“He’s frustrated.”

“Would you say so?”

“He’s got every right to be. Who’d be warmer in bed, Marion or an icicle?” Arlene’s laugh was rather surprisingly coarse and jolly.

“You really think that?” Jack frowned at his brandy.

“Still, feeling frustrated is one thing, tearing a girl’s clothes off is another.”

“Our Solomon has blotted his copybook, has he? You’d never do such a thing yourself, of course.”

“Certainly not,” Jack said with stiff pomposity.

“I hope I can take my pleasures in a civilised manner.”

“I’m sure you can.” Arlene’s gaze was brightly mocking. “All the same, I do agree it was a bit queer. I mean, you only do that sort of thing when you’re pretty tight, and it didn’t seem to me old Sol was all that tight. Do you suppose he knew her already?”

“I’ve no idea.” Jack conveyed the distastefulness of this sort of speculation.

“I shouldn’t be surprised.”

“I don’t see you’ve any reason to say he did or didn’t.”

“Oh, don’t be such an old stuffed shirt. Come to bed.” Half-reluctantly, half-willingly, he allowed her to take his hand and pull him out of the living room.

 

“My God, what a shambles.” Cigarette butts stubbed out in plants, dregs of drink left in glasses, bits of half-eaten sausage rolls, all the characteristic debris of a party, confronted Dick and Caroline Weldon. Gloria and Cyprian had been sent to bed, and they were smoking a last cigarette.

“We ought to do some washing up.” Caroline leaned back on the sofa, stretched like a cat.

“Saturday tomorrow. Leave it till the morning.”

Tentatively, a cat probing at some possibly forbidden feast of delicious fish, Caroline said, “Rather a flop tonight, I’m afraid.”

“Oh I don’t know. Do you know, I think I’m going to have my pipe.” Caroline watched with pleasure as he put out his half-smoked cigarette, stuffed tobacco into the pipe bowl, tamped it down, lit up and puffed. That pipe smoke rising at the end of the day had been the herald of some of their most cherished confidences. With the pipe properly going, Dick conceded: “It wasn’t too good. Not really our fault, though. After all, if you have chaps like old Sol going berserk, it’s enough to break up any party. I must say I thought it was rather much.”

“I really don’t know what got into him.”

“Pretty girl, wasn’t she?”

“If you say so.”

“You’re the one for me, you know that.” Dick leaned over and patted her sizeable thigh. “I just say she was a pretty girl, that’s all.”

“He’s a knock-out, Tony. I wouldn’t mind him knocking me out.” She coiled her legs under her.

“Naughty.” Dick wagged his pipe. “Still, he is a bit of a knock-out, I agree. Wonder where he found Sylvia.” With an archness not unusual to him he added, “Who is Sylvia, what is she? And what exactly happened to her for that matter? I’m still not clear.”

“I don’t know either, dear. There seems to have been a scream, and then there she was with her dress torn and Sol with his face scratched.”

“Still, I suppose there’s no doubt about the essential facts. Sol was looking for a bit of slap and tickle and got turned down. Might have happened to any of us. Great mistake to make it so public, though. Hard on Marion, I must say.”

“Oh, Marion.

“I’d like to know what you’d be saying if I’d been playing games with Arlene.”

“She wouldn’t have screamed.”

Dick advanced in a mock-threatening manner upon his wife. “And what about you, would you have screamed?”

She looked up at him, smiling. “Try me.”

Later, when they were in bed, he said, “All the same, there’s something queer about old Sol.”

Sleepily, she asked, “How’s that?”

“I don’t know. Sometimes he talks to himself, walking along the street I mean.” Caroline made no reply. She was evidently asleep. Dick said to the ceiling, “He’s a queer fish, old Sol, he really is a queer fish.”