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Phenomenology and the Arts

Phenomenology and the Arts



von: A. Licia Carlson, Peter Costello, John Russon, Galen A. Johnson, John Lysaker, Brian Rogers, Christian Lotz, Scott Marratto, Kirsten Jacobson, Susan Bredlau, Laura McMahon, Jeff Morrisey, Matthew Goodwin, David Ciavatta

52,99 €

Verlag: Lexington Books
Format: EPUB
Veröffentl.: 30.09.2016
ISBN/EAN: 9781498506519
Sprache: englisch
Anzahl Seiten: 360

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Beschreibungen

Titelbeschreibung

<span><span>Phenomenology and the Arts</span><span> develops the interplay between phenomenology as a historical movement and a descriptive method within Continental philosophy and the arts. Divided into five themes, the book explores first how the phenomenological method itself is a kind of artistic endeavor that mirrors what it approaches when it turns to describe paintings, dramas, literature, and music. From there, the book turns to an analysis and commentary on specific works of art within the visual arts, literature, music, and sculpture. Contributors analyze important historical figures in phenomenology—Kant, Hegel, Husserl, Heidegger, and Merleau-Ponty. But there is also a good deal of work on art itself—Warhol, Klee, jazz, and contemporary and renaissance artists and artworks. <br>Edited by Peter R. Costello and Licia Carlson, this book will be of interest to students in philosophy, the arts, and the humanities in general, and scholars of phenomenology will notice incredibly rich, groundbreaking research that helps to resituate canonical figures in phenomenology with respect to what their works can be used to describe.</span></span>

Titelkurzbeschreibung

<span><span>This book develops the interplay between phenomenology as a historical movement and as a descriptive method within Continental philosophy and the arts. </span></span>

Inhaltsverzeichnis

<span><span>Introduction Peter R. Costello</span></span>
<br>
<br>
<span><span>Overview Licia Carlson</span></span>
<br>
<br>
<span><span>Phenomenological Method</span></span>
<br>
<br>
<span><span>Chapter 1Phenomenological Description and Artistic Expression</span></span>
<br>
<span><span>John Russon</span></span>
<br>
<br>
<span><span>Chapter 2On the Possibility of the ‘Purity’ and Primacy of Art: A Phenomenological Analysis Based in Merleau-Ponty, Husserl, and Kant</span></span>
<br>
<span><span>Galen A. Johnson</span></span>
<br>
<br>
<span><span>Chapter 3In the Interest of Art</span></span>
<br>
<span><span>John Lysaker</span></span>
<br>
<br>
<span><span>Chapter 4Between Fabrication and Form: Heidegger’s Phenomenology of the Work</span></span>
<br>
<span><span>of Art</span></span>
<br>
<span><span>Brian Rogers</span></span>
<br>
<br>
<br>
<span><span>Visual Arts</span></span>
<br>
<br>
<span><span>Chapter 5Husserl, Expressionism, and the Eidetic Impulse in </span><span>Brücke’s</span><span> Woodcut</span></span>
<br>
<span><span>Christian Lotz</span></span>
<br>
<br>
<span><span>Chapter 6Blind Narcissism: Derrida, Klee, and Merleau-Ponty on the Line</span></span>
<br>
<span><span>Scott Marratto</span></span>
<br>
<br>
<span><span>Chapter 7</span><span>Perceptual Openness and Institutional Closure in the Contemporary </span></span>
<br>
<span><span>Artworks of Luis Jacob and Phillip Buntin</span></span>
<br>
<span><span>Kirsten Jacobson</span></span>
<br>
<br>
<br>
<span><span>Literature</span></span>
<br>
<br>
<span><span>Chapter 8An Organism of Words: Merleau-Ponty on Embodiment, Language and</span></span>
<br>
<span><span>Literature</span></span>
<br>
<span><span>Susan Bredlau</span></span>
<br>
<br>
<br>
<span><span>Chapter 9Questioning the Material of Meaning: Merleau-Ponty, Adorno, and </span></span>
<br>
<span><span>Beckett on the Dynamic Character of Expression </span></span>
<br>
<span><span>Whitney Howell</span></span>
<br>
<br>
<span><span>Chapter 10“Thinking According to Others”: Expression, Intimacy, and the Passage </span></span>
<br>
<span><span>of Time in Merleau-Ponty and Woolf.</span></span>
<br>
<span><span>Laura McMahon</span></span>
<br>
<br>
<span><span>Music</span></span>
<br>
<br>
<span><span>Chapter 11 Another Standard: Jazz Music and the Experience of Self-Transcendence</span></span>
<br>
<span><span>Jeff Morrisey</span></span>
<br>
<br>
<span><span>Chapter 12Encounters with Musical Others</span></span>
<br>
<span><span>Licia Carlson</span></span>
<br>
<br>
<br>
<span><span>Place and Action</span></span>
<br>
<br>
<br>
<span><span>Chapter 13Of Earth and Sky: The Phenomenology of James Turrell’s Roden Crater </span></span>
<br>
<span><span>Project</span></span>
<br>
<span><span>Matthew Goodwin</span></span>
<br>
<br>
<span><span>Chapter 14Transitional Objects, Playful Faculties, and Par-ergon-omics—Moving Together Towards Religious Art</span></span>
<br>
<span><span>Peter Costello</span></span>
<br>
<br>
<br>
<span><span>Chapter 15Hegel and the Phenomenology of Art</span></span>
<br>
<span><span>David Ciavatta</span></span>

Autorenportrait

<span><span>A. Licia Carlson is associate professor of philosophy at Providence College.<br><br>Peter R. Costello is professor of philosophy at Providence College.</span></span>