Details

<p>1.&nbsp;The Phenomenon.- 2.&nbsp;Exploring Play.- 3.&nbsp;Understanding Play.- 4.&nbsp;Play Practices and Modalities.- 5.&nbsp;Metagaming and Paratextual Play.- 6.&nbsp;Playing at Home.- 7.&nbsp;Institutional Play Spaces.- 8.&nbsp;Playing during and post COVID-19 pandemic.</p>

<div><p><b>Larissa Hjorth</b>&nbsp;is Distinguished Professor and Director of the Design & Creative Practice Platform at RMIT University, Australia.</p><p><b>Ingrid Richardson</b>&nbsp;is Professor in the School of Media & Communication at RMIT University, Australia.</p><p><b>Hugh Davies</b>&nbsp;is a postdoctoral fellow in the Design & Creative Practice Platform at RMIT University, Australia.</p><p><b>William Balmford</b>&nbsp;has a PhD in media and communications from RMIT University, Australia.</p></div><div><br></div>

“<i>Minecraft</i> is undoubtedly one of the most influential games of the past decade. <i>Exploring Minecraft</i> brilliantly situates this multiplatform and multisensory game within today’s pervasive play culture, focusing on its role in players’ everyday lives across domestic and educational spaces, and across cultural and generational contexts. In times of social distancing, Hjorth, Richardson, Davies, and Balmford make a compelling argument for the significance of social play and creativity in everyday life. An essential resource for gamers, educators, academics, and parents interested in the interconnections between games, education, domestic life, and creative practices.”<p></p>

<p>-&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; <b>Adriana de Souza e Silva</b>, North Carolina State University, USA</p>

<p><br></p><p>This book directs critical attention to one of the most ubiquitous and yet under-analyzed games, <i>Minecraft. </i>Drawing on three years of ethnographic fieldwork intomobile games in Australian homes, the authors seek to take <i>Minecraft </i>seriously as a cultural practice. The book examines how <i>Minecraft </i>players engage in a form of gameplay that is uniquely intergenerational, creative, and playful, and which moves ambiently throughout everyday life. At the intersection of digital media, quotidian literacy, and ethnography, the book situates interdisciplinary debates around mundane play through the lens of <i>Minecraft. </i>Ultimately, <i>Exploring Minecraft </i>seeks to coalesce the discussion between formal and informal learning, revealing new forms of digital media creativity and ethnographic innovation around the analysis of games in everyday life.</p><p><b><br></b></p><p><b>Larissa Hjorth</b> is Distinguished Professor and Director of the Design & Creative Practice Platform at RMIT University, Australia.<br></p>

<p><b>Ingrid Richardson</b> is Professor in the School of Media & Communication at RMIT University, Australia.</p>

<p><b>Hugh Davies</b> is a postdoctoral fellow in the Design & Creative Practice Platform at RMIT University, Australia.</p>

<p><b>William Balmford</b> has a PhD in Media & Communication from RMIT University, Australia. </p>

Unites the disciplines of game, media, and cultural studies and education through the lens of Minecraft Provides empirical case studies, critical discussion of research methods in game studies, and additional context and material on state-of-the-art developments in mobile, AR, VR and pervasive location-based games Aims to clearly identify significant cultural issues for game developers and designers, while also being of key relevance to educators and theorists across a broad spectrum of disciplines that are interested in the intersection of media evolution and cultural practices