Details
Creative Practice Ethnographies
|
36,99 € |
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| Verlag: | Lexington Books |
| Format: | EPUB |
| Veröffentl.: | 01.11.2019 |
| ISBN/EAN: | 9781498572132 |
| Sprache: | englisch |
| Anzahl Seiten: | 200 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<span>Creative Practice Ethnographies </span>
<span>focuses on the intersection of creative practice and ethnography and offers new ways to think about the methods, practice, and promise of research in contemporary interdisciplinary contexts. How does creative practice inform new ways of doing ethnography and vice versa? What new forms of expression and engagement are made possible as a result of these creative synergies? By addressing these questions, the authors highlight the important roles that ethnography and creative practice play in socially impactful research. This book is aimed at interdisciplinary researchers, scholars, and students of art, design, sociology, anthropology, games, media, education, and cultural studies. </span>
<span>focuses on the intersection of creative practice and ethnography and offers new ways to think about the methods, practice, and promise of research in contemporary interdisciplinary contexts. How does creative practice inform new ways of doing ethnography and vice versa? What new forms of expression and engagement are made possible as a result of these creative synergies? By addressing these questions, the authors highlight the important roles that ethnography and creative practice play in socially impactful research. This book is aimed at interdisciplinary researchers, scholars, and students of art, design, sociology, anthropology, games, media, education, and cultural studies. </span>
<span>Creative Practice Ethnographies</span>
<span> examines how the collaboration between creative practice and ethnography enables scholars and practitioners to hone research strategies and methods within contemporary contexts. The authors use three heuristics—techniques, translations, and transmissions—to illustrate how this interdisciplinary strategy operates.</span>
<span> examines how the collaboration between creative practice and ethnography enables scholars and practitioners to hone research strategies and methods within contemporary contexts. The authors use three heuristics—techniques, translations, and transmissions—to illustrate how this interdisciplinary strategy operates.</span>
<span>List of Figures</span>
<br>
<br>
<span>Acknowledgments</span>
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<br>
<br>
<br>
<span>Introduction: Doing Creative Practice Ethnographies </span>
<br>
<br>
<span>Chapter 1: Doing Collaborative and Creative Interdisciplinary Research</span>
<br>
<br>
<span> </span>
<br>
<br>
<span>Section I: Invitations & Encounters</span>
<br>
<br>
<a></a>
<span>Chapter 2: Creative Invitations </span>
<br>
<br>
<span>Chapter 3: Speculative Encounters </span>
<br>
<br>
<a></a>
<span> </span>
<br>
<br>
<span>Section II: Mapping & Mobilities</span>
<br>
<br>
<span>Chapter 4: Understanding Mapping </span>
<br>
<br>
<span>Chapter 5: Making Mobilities </span>
<br>
<br>
<a></a>
<span> </span>
<br>
<br>
<span>Section III: Play & Performance</span>
<br>
<br>
<span>Chapter 6: Social Play </span>
<br>
<br>
<span>Chapter 7: Performing Futures </span>
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<br>
<br>
<br>
<span>Conclusion</span>
<br>
<br>
<span>Bibliography</span>
<br>
<br>
<span>About the Authors</span>
<br>
<br>
<span>Acknowledgments</span>
<br>
<br>
<br>
<br>
<span>Introduction: Doing Creative Practice Ethnographies </span>
<br>
<br>
<span>Chapter 1: Doing Collaborative and Creative Interdisciplinary Research</span>
<br>
<br>
<span> </span>
<br>
<br>
<span>Section I: Invitations & Encounters</span>
<br>
<br>
<a></a>
<span>Chapter 2: Creative Invitations </span>
<br>
<br>
<span>Chapter 3: Speculative Encounters </span>
<br>
<br>
<a></a>
<span> </span>
<br>
<br>
<span>Section II: Mapping & Mobilities</span>
<br>
<br>
<span>Chapter 4: Understanding Mapping </span>
<br>
<br>
<span>Chapter 5: Making Mobilities </span>
<br>
<br>
<a></a>
<span> </span>
<br>
<br>
<span>Section III: Play & Performance</span>
<br>
<br>
<span>Chapter 6: Social Play </span>
<br>
<br>
<span>Chapter 7: Performing Futures </span>
<br>
<br>
<br>
<br>
<span>Conclusion</span>
<br>
<br>
<span>Bibliography</span>
<br>
<br>
<span>About the Authors</span>
<span>Larissa Hjorth</span>
<span> is distinguished professor and director of the Design & Creative Practice Enabling Capability Platform at RMIT University.<br><br></span>
<span>Anne Harris</span>
<span> is associate professor and vice chancellor’s principal research fellow at RMIT University.<br><br></span>
<span>Kat Jungnickel</span>
<span> is senior lecturer in the Department of Sociology at Goldsmiths, University of London.<br><br></span>
<span>Gretchen Coombs</span>
<span> is postdoctoral research fellow in the Design & Creative Practice Enabling Capability Platform at RMIT University.</span>
<span> is distinguished professor and director of the Design & Creative Practice Enabling Capability Platform at RMIT University.<br><br></span>
<span>Anne Harris</span>
<span> is associate professor and vice chancellor’s principal research fellow at RMIT University.<br><br></span>
<span>Kat Jungnickel</span>
<span> is senior lecturer in the Department of Sociology at Goldsmiths, University of London.<br><br></span>
<span>Gretchen Coombs</span>
<span> is postdoctoral research fellow in the Design & Creative Practice Enabling Capability Platform at RMIT University.</span>
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