Details
Burnished
Zulu Ceramics between Rural and Urban South Africa|
28,99 € |
|
| Verlag: | Indiana University Press |
| Format: | EPUB |
| Veröffentl.: | 07.06.2022 |
| ISBN/EAN: | 9780253061881 |
| Sprache: | englisch |
| Anzahl Seiten: | 276 |
DRM-geschütztes eBook, Sie benötigen z.B. Adobe Digital Editions und eine Adobe ID zum Lesen.
Beschreibungen
<p><b>When Zulu women potters innovate or move to a more urban setting, they are asked why they have abandoned tradition. Yet when they continue to follow convention or choose to stay in rural areas, art historians speak of their work as unchanging symbols of the past. </b><b><i>Burnished</i></b><b> rejects both stereotypes, acknowledging the agency of rural women as innovative artists and complex individuals negotiating a biased set of power structures.</b></p>
<p>Featuring 90 color images, <i>Burnished</i> engages directly with individual artists and specific vessels, fracturing assumptions that Zulu ceramicists are resistant to rural transformation and insulated from urban realities. Elizabeth Perrill shares compelling narratives of women ceramic artists and the sophisticated beer pots they create—their aesthetic choices, audiences, production, and artistic lives. Simultaneously, Perrill documents the manner in which and reasons why ceramic arts, and at times the artists themselves, capitalize upon bucolic stereotypes of rural womanhood, are constrained by artistic methods, or chafe against definitions of what qualifies as a Zulu pot.</p>
<p>Revealing how white South Africans and global art gatekeepers have continually twisted the designation of Zulu ceramics before, during, and after apartheid, <i>Burnished</i> provides an engaging look at the artistry of entrepreneurial Black women too often erased from historical records.</p>
<p>Featuring 90 color images, <i>Burnished</i> engages directly with individual artists and specific vessels, fracturing assumptions that Zulu ceramicists are resistant to rural transformation and insulated from urban realities. Elizabeth Perrill shares compelling narratives of women ceramic artists and the sophisticated beer pots they create—their aesthetic choices, audiences, production, and artistic lives. Simultaneously, Perrill documents the manner in which and reasons why ceramic arts, and at times the artists themselves, capitalize upon bucolic stereotypes of rural womanhood, are constrained by artistic methods, or chafe against definitions of what qualifies as a Zulu pot.</p>
<p>Revealing how white South Africans and global art gatekeepers have continually twisted the designation of Zulu ceramics before, during, and after apartheid, <i>Burnished</i> provides an engaging look at the artistry of entrepreneurial Black women too often erased from historical records.</p>
<p>— Showcases the lives and work of individual Black South African artists, mostly women, whose contributions and accomplishments have not been well recognized. —Offers the most complex and richest analysis of Zulu beer pots to date, by examining their history and significance from multiple vantage points, ranging from the art market to the aesthetics and family connections of individual potters. —Approaches Zulu pottery making not to define a normative style but to treat ceramic production as an important mode of self-definition for Zulu women.</p>
<p>Elizabeth Perrill is Professor of Art History at the University of North Carolina at Greensboro. Her scholarly and curatorial work with isiZulu-speaking artists began in 2004, and her research engages global histories of ceramics and ceramic economies in the modern and contemporary eras, South African contemporary art, and materiality. Perrill's publications include <i>Zulu Pottery</i> and <i>Ukucwebezela: To Shine</i>, as well as numerous articles and exhibition essays. In 2018, her curation of the African Galleries at the North Carolina Museum of Art won an AAM Excellence in Exhibitions Award.</p>
<p><i>Burnished</i> is a tour-de-force reassessment of the history of Zulu ceramics over the past two centuries. Among its many insights and revelations are the rich and detailed biographies of individual women artists—from the famous to the forgotten—and vivid descriptions of the distinctive creativity and innovation embodied in their acclaimed beer vessels, which have helped define and sustain 'Zuluness' for generations. This book restores the voices of these artists to the art historical record and significantly adds to a growing body of impressive regional studies on ceramic arts of Africa.</p>
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