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A Companion to Literary Evaluation


A Companion to Literary Evaluation


Blackwell Companions to Literature and Culture 1. Aufl.

von: Richard Bradford, Madelena Gonzalez, Kevin De Ornellas

29,99 €

Verlag: Wiley-Blackwell
Format: EPUB
Veröffentl.: 21.03.2024
ISBN/EAN: 9781119409892
Sprache: englisch
Anzahl Seiten: 550

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Beschreibungen

<p><b>The first critical survey of its kind devoted solely to literary evaluation</b> <p><i>Companion to Literary Evaluation</i> bridges the gap between the non-academic literary world, where evaluation is deeply ingrained, and the world of academia, where evaluation is rarely considered. Encouraging readers to formulate and articulate arguments that balance instinctive judgment and reasoned assessment, this unique volume addresses key issues regarding literary values from the perspective of analytical aesthetics and the philosophy of literature. <p>Bringing together a diverse panel of contributors, the <i>Companion</i> explores competing theories of literary evaluation, the reasons for evaluating theater and lyric poetry in performance, the question of value in literary theory, debates over Modernism's negative impact on literature, the possibility of evaluating aesthetic beauty through scientific and formalist methods, the nature and status of literary evaluation as a branch of criticism, aesthetics in applied and community theater, evaluation outside academia, the perils of extreme relativism and subjectivism in literary evaluation, evaluation in schools and much more. Contributors question and reassess the reputations of authors across the canon, from Shakespeare and James Shirley to T S Eliot, Kathleen Raine, Virginia Woolf, Joyce and Beckett amongst others. The <i>Companion</i>: <ul> <li>Illustrates how seemingly divergent perspectives on the artistic qualities and value of literature can sometimes overlap</li> <li>Covers the standard range of literary genres, while including others such as unfinished novels, freelance journalism, and lyric poetry in performance</li> <li>Offers methodologies that demonstrate why literature can be treated as something different from other forms of language and therefore assessed as art</li> <li>Explores the importance of maintaining clarity and specificity in the evaluation of literary works</li> </ul> <p><i>Companion to Literary Evaluation</i> is a must-read for undergraduates, research students, lecturers, and academics in search of fresh perspectives on standard literary critical issues.
<p>Notes on Contributors vii</p> <p>Introduction 1<br /><i>Richard Bradford</i></p> <p>1 Literary Values 8<br /><i>Peter Lamarque</i></p> <p>2 Complexity as a Criterion for the Evaluation of Literature 42<br /><i>Anja Müller-Wood</i></p> <p>3 Schooled Aesthetic Asymmetries: (Back)firing the Canon in Secondary Education 57<br /><i>D.J. Howells</i></p> <p>4 Defining Literature: The Route to Aesthetic Evaluation 76<br /><i>Paolo Euron</i></p> <p>5 Kathleen Raine: The Less Received 92<br /><i>Andrew Keanie</i></p> <p>6 "Is (This) Translation Any Good?": The Evaluation of Literary Translation 110<br /><i>Giuseppe Sofo</i></p> <p>7 The Algorithm of Beauty: Aesthetic Judgment as a Science 120<br /><i>Madelena Gonzalez</i></p> <p>8 Literary Value and the Question of Insight on Humanly Relevant Matters 135<br /><i>Emanuela Tegla</i></p> <p>9 How Books Get Reviewed: Evaluation and the Freelance Journalist 150<br /><i>D.J. Taylor</i></p> <p>10 A Lifetime of Evaluation 156<br /><i>Penelope Stenning</i></p> <p>11 Evaluating Unfinished Novels: Octavia E. Butler and the Improbability of Justice 166<br /><i>Rafe McGregor</i></p> <p>12 "How to Bring So Goode a Matter into a Better Forme": The Value of the Horse in Early Modern Writing 179<br /><i>Elisabetta Deriu</i></p> <p>13 Reading Performance for the Values Underpinning Production 195<br /><i>Amanda Finch</i></p> <p>14 Bridging the Gap between Page and Performance Poetry 212<br /><i>Karen Simecek</i></p> <p>15 Aesthetics and Efficacy in Applied and Community Theater 226<br /><i>Dónall Mac Cathmhaoill</i></p> <p>16 Antonin Artaud Beyond Judgment: A Radio Reading of "To Have Done With The Judgement of God" with Local Prisoners 243<br /><i>Gary Anderson and Niamh Malone</i></p> <p>17 "Chief of the Second Rate": James Shirley and Dramatic Value 259<br /><i>Heidi Craig</i></p> <p>18 "The Glories of our Blood and State" and The Lady of Pleasure: The Genius of [Counterfactual] Britain's National Writer—James Shirley 271<br /><i>Kevin De Ornellas</i></p> <p>19 Evaluating Literary Evaluation 287<br /><i>Peter Barry</i></p> <p>20 The Horrible Legacy of Modernism 299<br /><i>Richard Bradford</i></p> <p>21 Evaluating Poems 331<br /><i>Amy Burns and Richard Bradford</i></p> <p>Index 346</p>
<p><b>RICHARD BRADFORD </b>is Research Professor at Ulster University, UK, and Visiting Professor at the University of Avignon, France. His 40 books cover topics as varied as stylistics, Russian Formalism, crime writing, the history of English poetry, modern fiction, and literary aesthetics. His recent works include literary biographies such as <i>Devils, Lusts and Strange Desires: The Life of Patricia Highsmith </i>and <i>Tough Guy: The Life of Norman Mailer.</i></p> <p><b>MADELENA GONZALEZ </b>is Chair of Anglophone Literature at the University of Avignon, France, where she heads the Master's program in English Studies and the multidisciplinary research group "Cultural Identity, Texts and Theatricality" (ICTT). She has published widely on contemporary Anglophone literature, theater, and culture. She is co-editor of <i>Aesthetics and Ideology in Contemporary Literature and Drama.</i></p> <p><b>KEVIN DE ORNELLAS </b>is Lecturer in English Renaissance Literature at Ulster University, UK. He served as Associate Editor for the two-volume <i>Wiley-Blackwell Companion to Contemporary British and Irish Literature </i>and authored <i>The Horse in Early Modern English Culture: Bridled, Curbed, and Tamed. </i>He has published 20 peer-reviewed essays, dozens of book and play reviews, and hundreds of encyclopedia articles.</p>
<p><b>A COMPANION TO LITERARY EVALUATION</b></p> <p><b>The first critical survey devoted solely to literary evaluation</b></p> <p><i>When we read a novel, watch a play, or hear lyric poetry in performance, we intuitively make a private assessment of its artistic qualities. Yet it is commonly assumed within academia that literature cannot be defined. Consequently, the question of "is it any good" is hardly ever addressed in the world of literary studies.</i></p> <p>Bridging the gap between the non-academic literary world and the university, <i>A Companion to Literary Evaluation </i>helps readers balance instinctive judgment and reasoned assessment to articulate how or why a particular author, playwright, or poet inhabits an exalted position while others do not. A diverse panel of contributors explores key issues from various perspectives, including analytical aesthetics, the philosophy of literature, opinionated bias, and common sense. It covers topics from lyric poetry, newspaper reviewing, literary translation, and the question of Shakespeare's genius, to the simple notion of how a life of reading books alters our sense of what is good and what is not.</p> <p>Throughout the book, easily accessible chapters emphasize the importance of maintaining clarity of values in the evaluation of literary works, illustrate how seemingly divergent perspectives sometimes overlap, discuss the impact of Modernism, the teaching of evaluation in schools, relativism versus subjectivism in assessing literary value, and more.</p> <p>Incorporating methodologies that demonstrate why literature can be treated as something different from other forms of language, <i>A Companion to Literary Evaluation </i>is a must-read for undergraduates, research students, lecturers, and academics in search of fresh perspectives on standard literary critical issues.</p>

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